About: Vivre sa vie   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The film stars Anna Karina, as Nana, a beautiful Parisian in her early twenties who deliberately leaves her husband and her infant son hoping to become an actress. Without money, beyond what she earns as a shopgirl, and unable to enter acting, she elects to earn better money as a prostitiute. Soon she has a pimp, Raoul, who after an unspecified period agrees to sell Nana to another pimp. During the exchange the pimps argue and in a gun battle Nana is killed. Nana's short life on film is told in 12 brief episodes each preceded by a written resume. Godard introduces other idiosyncrasies to focus the viewer's attention.

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rdfs:label
  • Vivre sa vie
rdfs:comment
  • The film stars Anna Karina, as Nana, a beautiful Parisian in her early twenties who deliberately leaves her husband and her infant son hoping to become an actress. Without money, beyond what she earns as a shopgirl, and unable to enter acting, she elects to earn better money as a prostitiute. Soon she has a pimp, Raoul, who after an unspecified period agrees to sell Nana to another pimp. During the exchange the pimps argue and in a gun battle Nana is killed. Nana's short life on film is told in 12 brief episodes each preceded by a written resume. Godard introduces other idiosyncrasies to focus the viewer's attention.
dcterms:subject
abstract
  • The film stars Anna Karina, as Nana, a beautiful Parisian in her early twenties who deliberately leaves her husband and her infant son hoping to become an actress. Without money, beyond what she earns as a shopgirl, and unable to enter acting, she elects to earn better money as a prostitiute. Soon she has a pimp, Raoul, who after an unspecified period agrees to sell Nana to another pimp. During the exchange the pimps argue and in a gun battle Nana is killed. Nana's short life on film is told in 12 brief episodes each preceded by a written resume. Godard introduces other idiosyncrasies to focus the viewer's attention.
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