Visually This Modern World draws inspiration from a retro, 1950s sensibility, with brightly colored illustrations that are also inspired by clip art. Initially, the strip was almost completely composed of actual vintage clip art and magazine cutouts, assembled collage-style and often manipulated and retouched. However, Tomorrow has gradually replaced cutouts with his own drawings, which merely mimic the clip art look. Usually drawn in four panels, it is not uncommon for all panels to be identical or nearly so, with only the dialogue and/or facial expressions changing.
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| - Visually This Modern World draws inspiration from a retro, 1950s sensibility, with brightly colored illustrations that are also inspired by clip art. Initially, the strip was almost completely composed of actual vintage clip art and magazine cutouts, assembled collage-style and often manipulated and retouched. However, Tomorrow has gradually replaced cutouts with his own drawings, which merely mimic the clip art look. Usually drawn in four panels, it is not uncommon for all panels to be identical or nearly so, with only the dialogue and/or facial expressions changing.
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| - Several of the main characters in This Modern World. From left to right: Sparky, Biff, and Blinky.
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| - Visually This Modern World draws inspiration from a retro, 1950s sensibility, with brightly colored illustrations that are also inspired by clip art. Initially, the strip was almost completely composed of actual vintage clip art and magazine cutouts, assembled collage-style and often manipulated and retouched. However, Tomorrow has gradually replaced cutouts with his own drawings, which merely mimic the clip art look. Usually drawn in four panels, it is not uncommon for all panels to be identical or nearly so, with only the dialogue and/or facial expressions changing. The '50s theme extends to the typically verbose dialogue of his human characters which is often bubbly, over-enthusiastic, and naïve. The stupidity of the humans is countered by Sparky, a fast-talking penguin (although the strip occasionally postulates he is actually an auk) with a red visor, who provides much of the strip's political commentary. A recurring theme in the comic books (though far less so in the strips) was that of "reality engineering", wherein "the very fabric of space and time" is mined for "the good of mankind". This periodically generates "reality discontinuities", where reality breaks down. These are (generally) resolved by reality engineers.
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