About: Psycho (1998)   Sponge Permalink

An Entity of Type : dbkwik:resource/tsQQDy_cYhCkkbZYJPQKtw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Although this version is in color, features a different cast, and has been set in a contemporary timeframe, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images.

AttributesValues
rdf:type
rdfs:label
  • Psycho (1998)
rdfs:comment
  • Although this version is in color, features a different cast, and has been set in a contemporary timeframe, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images.
dcterms:subject
dbkwik:movies/prop...iPageUsesTemplate
Editor
  • Amy E. Duddleston
Music By
  • *Bernard Herrmann *Danny Elfman
Cast
  • *Vince Vaughn *Julianne Moore *Anne Heche *Viggo Mortensen *William H. Macy *Robert Forster *Philip Baker Hall
Runtime
  • 6240.0
Producer
  • *Gus Van Sant *Brian Grazer
Screenplay
  • Joseph Stefano
Release Date
  • 1998-12-04(xsd:date)
Country
  • USA
Language
  • English
cinematographer
  • Christopher Doyle
Title
  • Psycho
Gross
  • 3.714113E7
Studio
  • Imagine Entertainment
Distributor
Based on
  • Psycho by Robert Bloch
Budget
  • 6.0E7
Director
  • Gus Van Sant
abstract
  • Although this version is in color, features a different cast, and has been set in a contemporary timeframe, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and recorded in stereo. Some changes are introduced to account for advances in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images. The film was both a commercial and critical failure and is considered one of the worst movies of all time.
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