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| - After this initial period, Iznik vessels were made in imitation of Chinese porcelain, which was highly prized by the Ottoman sultans. As the potters were unable to make porcelain, the vessels produced were fritware, a low-fired body comprising mainly silica and glass. The main development of Iznik pottery is said to have taken place during the second half of the 16th century, after the 1514 capture of the city of Tabriz by the Ottoman Sultan in the Battle of Chaldiran. The ceramic artisans of Tabriz were forcibly relocated to Iznik to practice their techniques.
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| - Right image: Stone-paste dish with grape design, Iznik, Turkey, 1550-70. British Museum.
- Left image: Ming plate with grape design, 15th century, Jingdezhen kilns, Jiangxi. British Museum.
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| - Stone paste dish Iznik Turkey 1550 1570.JPG
- Ming plate 15th century Jingdezhen kilns Jiangxi.jpg
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| - After this initial period, Iznik vessels were made in imitation of Chinese porcelain, which was highly prized by the Ottoman sultans. As the potters were unable to make porcelain, the vessels produced were fritware, a low-fired body comprising mainly silica and glass. The originality of the potters was such that their use of Chinese originals has been described as adaptation rather than imitation. Chinese ceramics had long been admired, collected and emulated in the Islamic world. This was especially so in the Ottoman court and the Safavid court in Persia which had important collections of Chinese blue-and-white porcelain. Such Chinese porcelains influenced the style of Safavid pottery and had a strong impact on the development of Iznik ware. By the mid-16th century, Iznik had its own vocabulary of floral and abstract motifs in tight designs making use of a limited palette. Decoration progressed from pure symmetry to subtle rhythms. The main development of Iznik pottery is said to have taken place during the second half of the 16th century, after the 1514 capture of the city of Tabriz by the Ottoman Sultan in the Battle of Chaldiran. The ceramic artisans of Tabriz were forcibly relocated to Iznik to practice their techniques.
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