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| - The short begins with images of Walt Disney at various ages, followed by a slow pan across a graveyard full of the headstones of Perri the squirrel and her family (a reference to Disney's 1957 live-action fantasy Perri, a film based on Felix Salten's 1938 novel of the same name). The next shot seen is that of a very early-style Mickey and Minnie Mouse, followed by racist caricatures and toilet humour. A sequence is then seen in which the female centaurs from Fantasia are seen working in a red light district, with Goofy as their pimp, followed by a scene in which various disturbing scenes from Disney films are shown, with a group of rabbit children looking on in horror (including the scene from Disney's 1937 animated fantasy Snow White in which the Queen transforms into a hag). The final im
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| - The short begins with images of Walt Disney at various ages, followed by a slow pan across a graveyard full of the headstones of Perri the squirrel and her family (a reference to Disney's 1957 live-action fantasy Perri, a film based on Felix Salten's 1938 novel of the same name). The next shot seen is that of a very early-style Mickey and Minnie Mouse, followed by racist caricatures and toilet humour. A sequence is then seen in which the female centaurs from Fantasia are seen working in a red light district, with Goofy as their pimp, followed by a scene in which various disturbing scenes from Disney films are shown, with a group of rabbit children looking on in horror (including the scene from Disney's 1937 animated fantasy Snow White in which the Queen transforms into a hag). The final images seen are that of the seven dwarves from Snow White gathering around Mickey Mouse in a "Mouse-ka-mausoleum", worshiping him in a scene reminiscent of one seen in the original 1937 production. For a time, a rumor circulated that the short was actually produced by Disney employees in 1954, but this was quickly debunked (since the short, as previously mentioned, contains references to the then-non-existent 1957 film Perri). Uncle Walt has not been publicly screened since 1972, and it is unknown if anyone other than Swarthe are still in possession of a copy.
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