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| - This song is alternately titled "Vespers" or "The Song of Gotham City." Jim Steinman offers this description of the Batman opening sequence, consisting of this song and "Graveyard Shift": "It starts with 'Vespers' coming from the Gotham Cathedral, then into 'The song of Gotham City' which includes, for the first time, the 'Angels Arise' melody (later 'Appropriated & annexed & snatched' for Vampires, where it was wasted. We see the Gothamites fearing the onset of night, pulling those metal sliding 'doors/barriers' down and filling with oncoming terror as a storm approaches. The soprano is a Salvation Army woman on the street in front of the cathedral. Then: 'we rise up' to see the entire panoramic vista of all of Gotham City. And from the darkness, amidst gargoyles and turrets and spires (o
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abstract
| - This song is alternately titled "Vespers" or "The Song of Gotham City." Jim Steinman offers this description of the Batman opening sequence, consisting of this song and "Graveyard Shift": "It starts with 'Vespers' coming from the Gotham Cathedral, then into 'The song of Gotham City' which includes, for the first time, the 'Angels Arise' melody (later 'Appropriated & annexed & snatched' for Vampires, where it was wasted. We see the Gothamites fearing the onset of night, pulling those metal sliding 'doors/barriers' down and filling with oncoming terror as a storm approaches. The soprano is a Salvation Army woman on the street in front of the cathedral. Then: 'we rise up' to see the entire panoramic vista of all of Gotham City. And from the darkness, amidst gargoyles and turrets and spires (oh my!), suddenly we see a gargoyle come alive -- its Batman, watching all before & below him. He sings 'The Graveyard Shift', on the Gothic rooftops, a human, watchful, vengeful dark presence. Then he's gone! During his aria, a parade of characters pass by: Selena Kyle/Catwoman, The Joker, various city dwellers and 'villains' we'll meet later on..."[1]
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