rdfs:comment
| - Ash was designed with the intent of creating an "attractive evil character" with little changes done to him since conception. During the initial planning stage for Ash, developers wanted to create a protagonist that has never been done for the franchise. Following this idea, they decided to create a feminine-looking and unheroic character to contrast the impact from the previous protagonists.
- Ash is a cunning, self righteous, and flamboyant individual. Confident in his own powers, he doesn't take things too seriously and considers things that are of no interest bothersome. Even when faced with serious situations, he is calm and somewhat blasé. He isn't one who considers working with others, but instead uses others to achieve his goals. He tends to flaunt the superiority of his halfhearted effort and speaks in a playful and condescending manner, which often irritates the characters he is speaking to.
- Unlike the usual KOF hero characters, Ash was designed with the intent to create an "attractive evil character." Because the supervising designer created a rough design that fit the desired appearance to a "T," little was changed for this character's design. Since he's the "hero" to the current KOF saga, we can't give away too many details about him. But we hope you look forward to his further exploits (Laugh). Incidentally, the team story quotes casually from Robert Browning's "Spring Song," but no one on the staff took interest in this (Boo hoo). And the bit about Shanghai Crabs was the original material for the character "Rojin."
- A cinza não olha como muito de um lutador, mas emprega um estilo mortal da luta muito similar a Remy e a Guile. Wields flamas verdes e tem uma personalidade chamativo, contudo má e misteriosa. Seus motriz para entrar são tomar os poderes dos descendentes dos clãs que selaram Orochi 1.800 anos ausentes há, de Kyo Kusanagi, de Iori Yagami e de Chizuru Kagura, para finalidades desconhecidas. É bem sucedido até aqui, deixando Kyo como o último poder que precisa de roubar.
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