About: Tomb of Dracula Vol 1 3   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

AttributesValues
rdfs:label
  • Tomb of Dracula Vol 1 3
CustomText
  • * Essential Series cover art gallery * Tomb of Dracula cover art gallery * [[W:C:marvel:Vlad Dracula /Gallery
Letterer1
  • John Costanza
Inker1
  • Tom Palmer
Recommended
  • * Dracula Lives #1-13 * Giant-Size Dracula #2-5 * Marvel Classics Comics #9 * Tomb of Dracula (Volume 1) #1-70 * Tomb of Dracula (Volume 2) #1-6 * Tomb of Dracula (Volume 3) #1-4 * Tomb of Dracula (Volume 4) #1-4
Inker1
  • Tom Palmer
CustomSection
  • Related Articles
Editor-in-Chief
  • Stan Lee
Writer1
  • Archie Goodwin
Penciler1
  • Gene Colan
Writer1
  • Archie Goodwin
StoryTitle
  • "Who Stalks the Vampire?"
Editor1
  • Stan Lee
Penciler1
  • Gene Colan
Solicit
  • At last - the mind-wrenching secret of Dracula's coffin! Plus - Dr. Van Helsing! Horrified by his encounters with his immortal vampire ancestor, the legendary Count Dracula, and witnessing the transformation of his lover Jean into a vampire and her subsequent destruction has driven Frank Drake to the point of suicide. Before Frank can throw himself off a bridge into the Thames river, he is stopped by Rachel Van Helsing and her assistant Taj Natal. Rachel introduces herself as the great granddaughter of Abraham Van Helsing, the man who slew Dracula centuries ago. Van Helsing explains that she has sought out Drake after hearing of his inheriting and subsequently selling Castle Dracula. Taking Drake into her car, Drake explains that he and his former friend Clifton Graves are responsible for unleashing Dracula upon the city of London. Elsewhere in London, Clifton has spent his night drinking himself stupid, when closing time finally comes around he is thrown out of the pub he is staying in. He is confronted by Dracula, who in "thanks" to Clifton resurrecting him, uses his hypnotic powers to put Graves under his thrall. While Dracula stalks another would be victim, Clifton is dispatched to recover Dracula's coffin from the hotel he was staying at with Frank. Meanwhile, learning that Drake had taken Dracula's coffin, Van Helsing decides that this would be an ample time to attempt to destroy Dracula once and for all. Arming themselves with a crucifix and wooden stakes they go back to the hotel to try and use the coffin as bait to lure Dracula. While in the storage area, the hired help aiding Clifton in removing the coffin accidentally drops it on the ground causing it to break open and all the gold coins stored inside to come rolling out. The greedy helper attempts to collect the coins, however Dracula interrupts and feeds upon the man. When Drake, Van Helsing, and Taj Natal enter the room shortly after they find only the coffin, however when they open it up they only find the deceased porter inside. They are then ambushed by Dracula and Clifton Graves. During the fight, Graves aids Dracula in knocking the crucifix away, however Dracula is forced to retreat when Rachel pulls out a crossbow that fires wooden stakes. Transforming into his bat form, Dracula makes an escape, with Clifton following far behind. In order to stop the heroes from following them, Graves bolts the door trapping them inside. When Taj Natal finally breaks through the door he finds Scotland Yard waiting for them. Van Helsing and the others try to explain the situation, however they the Yard are not willing to believe in their tale of vampires and takes them into headquarters for questioning. While they are detained, Dracula is sleeping in his coffin which is being transported by Clifton Graves to the location of the person who purchased Castle Dracula from Frank Drake. Meanwhile, in the morgue of the Scotland Yard the porter suddenly rises from the slab as a vampire. However before he can go out and get his first meal he is attacked and staked by Rachel Van Helsing. Witnessing the entire spectacle Inspector Chlem is more inclined to believe their story and asks what the Scotland Yard might do to help. Finally, Dracula arrives at the home of the one who purchased his home: Ilsa Strangeway, an aged model. Spying through the window, Dracula listens as Ilsa tells her lawyer that she had purchased the castle hoping to learn the secrets to eternal life she she believes she can get from the Castle so that she can restore herself to a more youthful age. When her lawyer dismisses the legend of Dracula as fiction, Ilsa angrily dismisses him. After the lawyer is gone, Dracula makes his presence known, realizing who Dracula is, Ilsa invites him in, hoping that the vampire lord can give her what she truly desires. This story is continued next issue...
Appearing
  • Featured Characters: * Supporting Characters: * * Villains: * * * Ilsa Strangway Other Characters: * Locations: * :* Items: * Vehicles: *
Letterer1
  • John Costanza
Editor1
  • Stan Lee
dbkwik:crossgen-co...iPageUsesTemplate
dbkwik:heykidscomi...iPageUsesTemplate
dbkwik:marvel/prop...iPageUsesTemplate
CoverArtist
  • Gil Kane
  • Tom Palmer
Country
  • USA
Links
  • * Tomb of Dracula article at Wikipedia * Tomb of Dracula article at Toonopedia * Tomb of Dracula series index at the Grand Comics Database * Tomb of Dracula series review at Photon Torpedoes * Tomb of Dracula - Lord of Vampires * Tomb of Dracula cover art gallery * Dracula article at Wikipedia * Dracula article at the Marvel Universe * Dracula article at the Marvel Appendix
Month
  • 7(xsd:integer)
Synopsis
  • Continued from last issue...
Notes
  • * This issue is reprinted in Essential Tomb of Dracula, Volume 1. * First appearance of Rachel van Helsing, Taj Nitall and Ilsa Strangway. Rachel and Taj become recurring supporting characters for the series. All three appear next in issue #4. * Another bit of vampire lore is revealed in this issue: A vampire cannot enter a persons home unless they are invited in by the owner of that home. This is a bit of lore that is not always followed in the Tomb of Dracula series, and is eventually abandoned all together. Like the dirt filled coffins, it's presumable that they ceased using this bit of Bram Stoker's mythos as it limited the story telling potential of the character.
Publisher
  • Marvel Comics
Year
  • 1972(xsd:integer)
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