Citipati (Sanskrit for 'funeral pyre lord') is a genus of oviraptorid theropod dinosaur from the Late Cretaceous Period of what is now Mongolia (specifically, the Djadokhta Formation of Ukhaa Tolgod, in the Gobi Desert). It is one of the best-known oviraptorids, thanks to a number of well-preserved skeletons, including several specimens found in brooding positions atop nests of eggs. These nesting specimens have helped to solidify the link between non-avian dinosaurs and birds.
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| - Citipati (Sanskrit for 'funeral pyre lord') is a genus of oviraptorid theropod dinosaur from the Late Cretaceous Period of what is now Mongolia (specifically, the Djadokhta Formation of Ukhaa Tolgod, in the Gobi Desert). It is one of the best-known oviraptorids, thanks to a number of well-preserved skeletons, including several specimens found in brooding positions atop nests of eggs. These nesting specimens have helped to solidify the link between non-avian dinosaurs and birds.
- Citipati was an oviraptorosaur from Late Cretaceous Mongolia named after the ancient Sanskrit god.
- The largest Citipati were emu-sized animals and, at about 3 meters (10 ft) long, were the largest known oviraptorids until Gigantoraptor was described in 2007. Like other oviraptorids, Citipati had an unusually long neck and shortened tail, compared to most other theropods. Its skull was unusually short and highly pneumatized (riddled with openings in the bone structure), ending in a stout, toothless beak. Perhaps the most distinctive feature of Citipati was its tall crest, superficially similar to that of a modern cassowary. The crest was relatively low in the type species, C. osmolskae, with a nearly vertical front margin grading into the beak. In contrast, the crest of one referred specimen which has not yet been assigned a specific name (provisionally labeled C. sp.) was taller, with a
- In Tibetan Animist belief, Citipati are graveyard demons portrayed as dancing skeletons. Their name means "lord of the graveyard". The Citipati are two skeletons, one of a man and the other of a woman, represented with arms and legs interlaced, dancing the Tsam dance. They are considered to be masters of the cemetery. The Citipati are one of the seventy-five forms of Mahakala and are visible reminders of the impermanence of everything worldly. Their mouths are parted in a large grin, showing all their teeth. Each wears a long scarf.
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| - Walking with Dinosaurs: Inside Their World
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| - Clark, Norell, & Barsbold, 2001
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| - Upper portion of a Citipati osmolskae skull.
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| - Citipati (Sanskrit for 'funeral pyre lord') is a genus of oviraptorid theropod dinosaur from the Late Cretaceous Period of what is now Mongolia (specifically, the Djadokhta Formation of Ukhaa Tolgod, in the Gobi Desert). It is one of the best-known oviraptorids, thanks to a number of well-preserved skeletons, including several specimens found in brooding positions atop nests of eggs. These nesting specimens have helped to solidify the link between non-avian dinosaurs and birds.
- Citipati was an oviraptorosaur from Late Cretaceous Mongolia named after the ancient Sanskrit god.
- The largest Citipati were emu-sized animals and, at about 3 meters (10 ft) long, were the largest known oviraptorids until Gigantoraptor was described in 2007. Like other oviraptorids, Citipati had an unusually long neck and shortened tail, compared to most other theropods. Its skull was unusually short and highly pneumatized (riddled with openings in the bone structure), ending in a stout, toothless beak. Perhaps the most distinctive feature of Citipati was its tall crest, superficially similar to that of a modern cassowary. The crest was relatively low in the type species, C. osmolskae, with a nearly vertical front margin grading into the beak. In contrast, the crest of one referred specimen which has not yet been assigned a specific name (provisionally labeled C. sp.) was taller, with a prominent notch in the front margin, creating a squared appearance.
- In Tibetan Animist belief, Citipati are graveyard demons portrayed as dancing skeletons. Their name means "lord of the graveyard". The Citipati are two skeletons, one of a man and the other of a woman, represented with arms and legs interlaced, dancing the Tsam dance. They are considered to be masters of the cemetery. The Citipati are one of the seventy-five forms of Mahakala and are visible reminders of the impermanence of everything worldly. Their mouths are parted in a large grin, showing all their teeth. Each wears a long scarf. According to a Northern Buddhist legend, the Citipati were, in a former existence, two ascetics who were once lost in such deep meditation that they did not notice that a thief had cut off their heads and thrown them in the dust. Since that time they have been ferocious enemies of thieves, having vowed eternal vengeance. This legend is somewhat similar to that of Yama. In the cemetery, the Citipati are supposed to perform a skeleton ritual dance during which they blow the Tibetan long horns. In most monasteries the dance, symbolic of the cycle of life and death, is performed in the monastery cemetery once in summer and once in winter by monks wearing masks.
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