According to Ovid's Metamorphoses, Acis was the son of Faunus and the river-nymphSymaethis, daughter of the River Symaethus. The tale occurs nowhere earlier than in Ovid; it may be a fiction invented by Ovid "suggested by the manner in which the little river springs forth from under a rock". According to Athenaeus, ca 200 CE the story was first concocted as a political satire against the Sicilian tyrant Dionysius I of Syracuse, whose favourite concubine, Galatea, shared her name with a nereid mentioned by Homer. Others claim the story was invented to explain the presence of a shrine dedicated to Galatea on Mount Etna.
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| - Acis and Galatea (mythology)
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| - According to Ovid's Metamorphoses, Acis was the son of Faunus and the river-nymphSymaethis, daughter of the River Symaethus. The tale occurs nowhere earlier than in Ovid; it may be a fiction invented by Ovid "suggested by the manner in which the little river springs forth from under a rock". According to Athenaeus, ca 200 CE the story was first concocted as a political satire against the Sicilian tyrant Dionysius I of Syracuse, whose favourite concubine, Galatea, shared her name with a nereid mentioned by Homer. Others claim the story was invented to explain the presence of a shrine dedicated to Galatea on Mount Etna.
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| - According to Ovid's Metamorphoses, Acis was the son of Faunus and the river-nymphSymaethis, daughter of the River Symaethus. The tale occurs nowhere earlier than in Ovid; it may be a fiction invented by Ovid "suggested by the manner in which the little river springs forth from under a rock". According to Athenaeus, ca 200 CE the story was first concocted as a political satire against the Sicilian tyrant Dionysius I of Syracuse, whose favourite concubine, Galatea, shared her name with a nereid mentioned by Homer. Others claim the story was invented to explain the presence of a shrine dedicated to Galatea on Mount Etna. A first-century fresco removed from an Imperial villa at Boscotrecase, preserved by the eruption of Vesuvius, and now at the Metropolitan Museum of Art shows the three figures as incidents in a landscape.
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