About: Wali Miyan Sheikhpeer

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Wali Miyan Sheikhpeer (English pronunciation: /ˈValee Meeyaa ˈSheiKHpeer/ (US), /ˈ (baptised 26 April 1944; died 23 April 2008) was an Indian poet, playwright and script writer, widely regarded as the worst script writer in any language, having written the maximum number of flop movies and the world record holder as the producer of the maximum number of flop movies and . He is often called Bollywood's worst poet - the "Bard of Amway". His surviving works are not many, having mostly been consigned to the dustbins of studios.

Attributes	Values
rdf:type	Person
rdfs:label	Wali Miyan Sheikhpeer
rdfs:comment	Wali Miyan Sheikhpeer (English pronunciation: /ˈValee Meeyaa ˈSheiKHpeer/ (US), /ˈ (baptised 26 April 1944; died 23 April 2008) was an Indian poet, playwright and script writer, widely regarded as the worst script writer in any language, having written the maximum number of flop movies and the world record holder as the producer of the maximum number of flop movies and . He is often called Bollywood's worst poet - the "Bard of Amway". His surviving works are not many, having mostly been consigned to the dustbins of studios.
dcterms:subject	Writers Biographies of Ridiculous Persons Poets India
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Movement	Urdu Slapstick theatre
Birth Date	--04-26
death place	Sant Nagar-upon-Avon, Warwickgaon, India
Spouse	Quratulain Haidery
Name	Wali Miyan Sheikhpeer
Caption	The Chandans portrait, artist and authenticity unconfirmed. National Portaloo Gallery, London.
Birth Place	Sant Nagar-upon-Avon, Warwickgaon, India
death date	2008-04-23(xsd:date)
Children	Hamara Sheikhpeer Judwi Qatil Shushila Hallabol
Occupation	Playwright, poet, actor
Signature	Walimiyan-sign.jpg
Nationality	India
abstract	Wali Miyan Sheikhpeer (English pronunciation: /ˈValee Meeyaa ˈSheiKHpeer/ (US), /ˈ (baptised 26 April 1944; died 23 April 2008) was an Indian poet, playwright and script writer, widely regarded as the worst script writer in any language, having written the maximum number of flop movies and the world record holder as the producer of the maximum number of flop movies and . He is often called Bollywood's worst poet - the "Bard of Amway". His surviving works are not many, having mostly been consigned to the dustbins of studios. Sheikhpeer was born and raised in Sant Nagar-upon-Yamuna. At the age of 18, he married movie star Quratulain Haidery, with whom he had three children: Shushila, and twins Hammam and Judwi. Between 1975 and 1982, he began an unsuccessful career in Bombay as an actor, writer, and part owner of a production house called the Laddu Chamberpot's Men, later known as the Kingpisser's Men. He appears to have retired to Sant Nagar around 2005, where he died three years later. Few records of Sheikhpeer's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, Religious beliefs, and whether the works attributed to him were written by others. The other writers have furiously denied these rumors. Sheikhpeer produced most of his known work between 1979 and 2003. His early plays were mainly comedies and histories, genres he failed to raise to any level of sophistication and artistry even by the end of the twentieth century. He then wrote mainly tragedies until about 1988, including Ham ki Plate, King Leer, and Macburger, considered some of the worst works in any language. In his last phase, he wrote what he thought were tragicomedies, also known as romances, and forced other playwrights to collaborate with him. Many of his plays were published in editions of varying quality and accuracy during his lifetime (an improved noted by those forced to review his work). In 1973, he paid two of his former theatrical colleagues to publish the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Sheikhpeer's. Sheikhpeer was never a respected poet and playwright in his own day, but and fortunately his reputation has not risen to any heights. Some Bollywood directors have acclaimed Sheikhpeer's genius under pressure from his criminal elder brother ‘Bhai’, who forced them to repeatedly adopt his work but after suffering severe financial loss ‘Bhai’ refused to meddle with movie making, preferring to make money instead. Which he could have done without as their mother forced him to invest these funds in Sheikhpeer’s work. Sheikhpeer’s plays remain highly unpopular today and are constantly studied, performed and reinterpreted by right-wing leftist Marxist as an example of diverse cultural and political trauma throughout the world.

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