About: Mercy, Mercy, Mercy Live at “The Club” (album)   Sponge Permalink

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Mercy, Mercy, Mercy! Live at 'The Club' is a 1966 (see 1966 in music) album by jazz musician Julian "Cannonball" Adderley. Though the original liner notes state that it was recorded at the Club DeLisa in Chicago, it was actually recorded at Capitol's Hollywood studio with an invited audience and an open bar. The reason for this discrepancy, according to the liner notes in the CD reissue, is that Adderley and the new manager of Club DeLisa (which had been renamed "The Club", after operating for years in Chicago under its old name) were friends, and Adderley offered to give the club a bit of free publicity.

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rdf:type
rdfs:label
  • Mercy, Mercy, Mercy Live at “The Club” (album)
rdfs:comment
  • Mercy, Mercy, Mercy! Live at 'The Club' is a 1966 (see 1966 in music) album by jazz musician Julian "Cannonball" Adderley. Though the original liner notes state that it was recorded at the Club DeLisa in Chicago, it was actually recorded at Capitol's Hollywood studio with an invited audience and an open bar. The reason for this discrepancy, according to the liner notes in the CD reissue, is that Adderley and the new manager of Club DeLisa (which had been renamed "The Club", after operating for years in Chicago under its old name) were friends, and Adderley offered to give the club a bit of free publicity.
Length
  • 2467.0
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dbkwik:jaz/property/wikiPageUsesTemplate
Label
Producer
Name
  • Mercy, Mercy, Mercy! Live at 'The Club'
Genre
Type
  • live
Last album
  • Great Love Themes
rev
  • Allmusic
  • The Penguin Guide to Jazz
This Album
  • Mercy, Mercy, Mercy! Live at 'The Club'
Cover
  • mercymercymercy.jpg
Next album
  • Cannonball in Japan
Released
  • 1966(xsd:integer)
Artist
Recorded
  • --10-20
abstract
  • Mercy, Mercy, Mercy! Live at 'The Club' is a 1966 (see 1966 in music) album by jazz musician Julian "Cannonball" Adderley. Though the original liner notes state that it was recorded at the Club DeLisa in Chicago, it was actually recorded at Capitol's Hollywood studio with an invited audience and an open bar. The reason for this discrepancy, according to the liner notes in the CD reissue, is that Adderley and the new manager of Club DeLisa (which had been renamed "The Club", after operating for years in Chicago under its old name) were friends, and Adderley offered to give the club a bit of free publicity. The title track from this album became a surprise hit, reaching #11 on the Billboard charts. On this album, Joe Zawinul played a Wurlitzer electric piano; however, subsequent live performances saw him taking up the new and mellower-sounding Fender Rhodes instrument. The track "Hippodelphia" is sometimes mis-spelt "Hipadelphia" on other recordings. The track listing for the album uses "Hippodelphia", while the liner notes, written by E. Rodney Jones, for the same album refer to "Hipadelphia". The title track has been covered numerous times (usually with lyrics added), perhaps most successfully by The Buckinghams in 1967.[citation needed]
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