| abstract
| - No TV series becomes a classic without great characters. Patrick McGoohan's postmodern masterpiece, The Prisoner is no exception. No recurring character in The Prisoner has a name. Number Six, The Prisoner Rebellious ex-spy captured by the unknown powers that run the Uncanny Village.
* Anti-Hero: Type III, though his rough nature is mainly due to never being quite sure who to trust.
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* Deadpan Snarker
* Genius Bruiser: Both a thinker and a fighter.
* Heroic Willpower: Mind-bending techniques repeatedly fail on him.
* Loners Are Freaks: constantly used against him, but not completely true or untrue
* Mysterious Past
* Rebellious Spirit The Butler A silent, obedient little person in a tuxedo. Manservant to Number Two.
* Battle Butler - In Once Upon a Time, when Number Six assaults Number Two at one point, The Butler takes out a small bat (I think its the kind to kill fish with) and knocks out Number Six.
* In the next episode, he gets a submachine gun
* Heel Face Turn
* Hypercompetent Sidekick: In the final two episodes.
* The Voiceless The Supervisor A bald bespectacled man, also known as Number Fourteen. Head of Village security and direct subordinate of Number Two. Given to delivering his lines in an exaggeratedly cold and emotionless Robo Speak voice ("Orange... alert. Orange... alert."); his actor, Peter Swanwick, had been diagnosed with cancer just before the series began filming, and he deliberately played the role larger than life in order to make an impression.
* Bald of Evil: Really!
* Four Eyes, Zero Soul: One of the most soulless in history.
* Name's the Same: Has the same number as Number Two's personal assistant in Hammer into Anvil.
* Not So Stoic: The one time his robotic facade breaks is in Hammer into Anvil, when that episode's Number Two directly accuses him of treason and fires him; he's hurt.
* Affably Evil: Many Number Twos act like they're the Prisoner's best friend (or would like to be, if he'd just give them a chance). Some of them seem more sincerely friendly than others.
* The Dragon: To Number One.
* Dragon-in-Chief: At least within the village, their authority is basically absolute. There may be other superiors elsewhere but we never see them.
* Evil Laugh: The intro to every episode concludes with one.
* Just the First Citizen
* Wicked Cultured: None of the officials picked for this important position qualify as anything short of intellectual. Guy Doleman The first one. Escorts Number Six around the Village on his first day, just to reinforce the Village's self-sufficiency and inescapability. Gives the Prisoner an idea of No.2's power (and establishes an atmosphere of menace) by ordering the entire Village to halt right before Number Six's eyes, and siccing Rover on the one Villager who fails to comply.
* Becoming the Mask: Regarding the Village: "It will grow on you." For better or worse, he's right. Number Six doesn't truly assimilate, but he does acclimate over time.
* Mr. Exposition: Certainly one of the more memorable examples of this trope.
* No, Mr. Bond, I Expect You to Dine: His introduction, complete with Number Six's preferences already laid out for him. George Baker The second one. Younger than Doleman's No.2, and replaces him (without explanation, of course) over the course of the first episode. Where Doleman is Evilly Affable, Baker's No.2 is blunt and matter-of-fact about Number Six being a prisoner. Leo McKern The famous one. Takes a psychological approach to interrogating Number Six. In many ways, an amalgamation of all the best aspects of the other Number Twos.
* Affably Evil
* Back From the Dead
* Benevolent Boss: His immediate subordinates seem to genuinely like him rather than fear him.
* Heel Face Turn
* Large Ham
* Mood Swinger: He's alternately very jolly and very, very frustrated from moment to moment.
* Mysterious Past: Various statements made during Once Upon A Time raise many questions about his back story and make him the most cryptic and mysterious Number Two.
* Not So Different
* Real Life Writes the Plot: The shave and haircut that they give him prior to his resurrection. It was added in because McKern had gotten a trim prior to being called back for another episode.
* Villainous Breakdown: While he was relatively calm and collected in The Chimes of Big Ben, he becomes more and more agitated and worked up throughout Once Upon A Time and finally breaks completely when his methods backfire on him and give Number Six the upper hand. Rumor has it that McKern had a minor heart attack while filming this episode because of the sheer insensity required to portray this breakdown. Eric Portman Hosts a sham "election" in the Village in "Free For All", in which he convinces Number Six to actually run for the "office" of Number Two -- and brainwashes him repeatedly into acting like a slick electoral candidate, much to the disgust of Number Six. Also provides No.6 with a chauffeur/assistant called Number 58, who (despite her apparent lack of English skills) is a fairly obvious Mole.
* Drowning My Sorrows: He's found drunk in a secret alcohol lab, but that too was a ruse to get Six to drop his guard. Patrick Cargill From "Hammer Into Anvil." A particularly ruthless Village official, who has no trouble committing psychological torture or physically threatening recalcitrant Villagers -- he obviously feels irritated by the standing order that Number Six must not be "damaged".
* Cultured Warrior: He quotes Goethe in the original German when justifying his brutal methods: "Du musst Ambose oder Hammer sein."
* Misaimed Fandom: He knows the quote, but he doesn't know that it's the hammer that breaks first, not the anvil. His whole episode is basically watching that hammer smash itself apart on Six's anvil.
* Paranoia Fuel: In-Universe Number Six completely overloads him with it.
* Those Wacky Nazis: It's implied pretty heavily that they dug this guy up from the wreckage of postwar Germany -- although he does a good job hiding his accent.
* Villainous Breakdown: Number Six does a hell of a job exploiting this man's paranoia, to the extent that he becomes convinced that Number Six was sent by his superiors to spy on him.
* You Look Familiar: Patrick Cargill also plays Thorpe, a colleague of Number Six, in "Many Happy Returns". The show makes no attempt to suggest that they're the same person, but if they are, that would make Thorpe The Mole. John Sharp From "A Change Of Mind"
* Fat Bastard: Rivals, if not exceeds, Leo McKern as the most physically imposing No.2.
* Hurricane of Aphorisms: "The slowest mule is closest to the whip," among others.
* Loners Are Freaks: He hopes to break No.6 by hammering on this trope -- essentially introducing new policies that convince the other Villagers to openly ostracize the Prisoner, playing on his genuine feelings of loneliness. Colin Gordon From "The General" and "A. B. and C." An unusually nervous No.2 with an inferiority complex. His smug attitude toward the Prisoner is belied by his constant milk-drinking (presumably for an ulcer), his habit of occasionally lashing out at his assistants, and his obvious fear of No.1.
* The Rival: He really, really doesn't like Number Six, and he's one of the only Number Twos who makes no effort to hide this fact. Andre van Gyseghem The oldest No.2, who seems to have been with the Village the longest; we actually witness his official "retirement" in "It's Your Funeral". Claims that all the other Number Twos were actually interim replacements for him, although that could just be what his superiors told him -- they're not above lying to a No.2, and (as he realizes, much to his horror) they're not the sort of people who fritter money away on things like pensions for retirees who just won't die. One of the only Number Twos other than Mc Kern to receive a sympathetic portrayal. Mary Morris From Dance of the Dead. Although she uses both, she seems to prefer using spies rather than hidden surveillance.
* Evil Gloating
* A Girl and Her Cat
* The Smurfette Principle: Not the only female Number Two, but the only one with a starring, front-and-center role.
* Villainous Crossdresser: As Peter Pan for the carnival. Number One The apparent leader of the village who has his proxies carry out his will. Almost any time he is discussed, it is with a sense of fear or dread. Number Six himself would like to meet him, if only to have some of the mystery surrounding the village explained.
* Bad Boss: To the Number Twos
* Big Bad
* Dramatic Unmask
* The Dreaded
* Evil Doppelganger: Assuming he's not just a figment of Number Six's imagination
* Evil Laugh
* Large Ham: Definitely has a taste for theatrical flair, if his revealing his number badge is anything to go by.
* The Man Behind the Man
* Non-Action Big Bad: He may (or may not) be the man behind the scenes, but the only things we actually see him doing are laughing in Number Six's face and then run away from him.
* Mind Screw
* Tomato in the Mirror One possibility, anyway. See The Unseen.
* The Un-Reveal
* The Unseen: Until the series finale, and even that appearance is debatable. Rover The Village's last line of law enforcement. A massive balloon-like ball of featureless white material that emits electronic roars and suffocates refractory Villagers into submission.
* The Brute
* Nice Job Fixing It, Villain: Kills Number Six's doppleganger (mistaking him for the real McCoy) in The Schizoid Man, thus allowing Number Six to assume the man's identity and (nearly) escape.
* Mechanical Monster: Well, this is what they were going for, anyway: it's a security device, and yet also alive, somehow.
* No Name Given: Only once in the series is Rover ever referred to by name (ironically enough, by the Prisoner himself). When the Prisoner first asks what it actually is, No.2's typically obfuscatory response is "That would be telling."
* Before the original "Rover" mechanism sunk and they exchanged it with a balloon, he was to be named in the first episode by No. 2.
* Once an Episode: Even when it doesn't actually chase anybody, Rover always appears in some kind of context. Number Forty-Eight A fellow prisoner who appears in the series finale. He has an unusual obsession with the song Dry Bones; most of his lines simply consist of lyrics from said song. Along with the Butler and Leo McKern's Number Two, he helps Number Six finally escape the Village.
* Cloudcuckoolander
* Mind Screw: The fact that he both looks and dresses like The Kid/Number Eight (who had already died several episodes prior), not to mention that none of the other characters (Number Six included) ask if he's the same person or even bring this similarity up. He's just one of the many things that make Fallout what it is.
* Nice Hat
* One-Scene Wonder
* Talkative Loon
* You Look Familiar: With The Kid from Living in Harmony and the photographer from The Girl Who Was Death. The Kid An odd, menacing character who shows up in the western-themed episode, Living in Harmony.
* Becoming the Mask: A rather horrifying example: Number Eight seems all too happy to keep acting like the Kid even after the experiment is over, violent tendencies and all.
* Duel to the Death
* The Dragon: To The Judge
* Nice Hat
* The Rival: To Number Six
* Stalker with a Crush
* The Voiceless: Subverted in that, once he's revealed to be Number Eight, he talks about as much as any of the other characters.
* You Look Familiar: With Number 48 and with the photographer in The Girl Who Was Death Number Fourteen Number Two's right-hand man in Hammer Into Anvil. (Not the same Fourteen as the Supervisor.)
* The Cassandra: He's the only one who sees Six's Paranoia Gambit for what it is.
* Disney Villain Death
* The Dragon: To Patrick Cargill's Number Two.
* Duel to the Death
* Genius Bruiser
* It's Personal
* Make It Look Like an Accident: His proposal on dealing with Number Six.
* Name's the Same: Has the same number as the Supervisor for some reason.
* The Rival: To Number Six
* Unwitting Pawn: Even when he recognizes what Number Six is up to, he still winds up contributing to Number Two's breakdown.
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