About: Alice Decarli (deleted 14 Feb 2008 at 20:52)   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The Kobe, Japan-born Decarli completed their drama training from 1926 to 1928 in Dusseldorf at Louise Dumont. A first stage work, she received at the Düsseldorf Schauspielhaus (1928-1929). It followed Theatre stations in Guben (1929-1930), lunch (1931-1935), at the National Theatre in Mannheim (1935-1938) and at the English Theatre Berlin (1939). Alice Decarli often initially played the type of young lady and the salon Sentimentalen as "Louise" in Schiller's Kabale und Liebe, George Bernard Shaw's Maid of Orleans, the "Beatrice" in Shakespeare's Much Ado About Nothing and the "Alkmene" Heinrich von Kleist Amphitryon.

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  • Alice Decarli (deleted 14 Feb 2008 at 20:52)
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  • The Kobe, Japan-born Decarli completed their drama training from 1926 to 1928 in Dusseldorf at Louise Dumont. A first stage work, she received at the Düsseldorf Schauspielhaus (1928-1929). It followed Theatre stations in Guben (1929-1930), lunch (1931-1935), at the National Theatre in Mannheim (1935-1938) and at the English Theatre Berlin (1939). Alice Decarli often initially played the type of young lady and the salon Sentimentalen as "Louise" in Schiller's Kabale und Liebe, George Bernard Shaw's Maid of Orleans, the "Beatrice" in Shakespeare's Much Ado About Nothing and the "Alkmene" Heinrich von Kleist Amphitryon.
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  • The Kobe, Japan-born Decarli completed their drama training from 1926 to 1928 in Dusseldorf at Louise Dumont. A first stage work, she received at the Düsseldorf Schauspielhaus (1928-1929). It followed Theatre stations in Guben (1929-1930), lunch (1931-1935), at the National Theatre in Mannheim (1935-1938) and at the English Theatre Berlin (1939). Alice Decarli often initially played the type of young lady and the salon Sentimentalen as "Louise" in Schiller's Kabale und Liebe, George Bernard Shaw's Maid of Orleans, the "Beatrice" in Shakespeare's Much Ado About Nothing and the "Alkmene" Heinrich von Kleist Amphitryon.
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