Vicki is in the drawing room at Collinwood when Barnabas, at the Old House, mentally calls out and tells her to go to his portrait. After she walks to the portrait, he tells her that he will come for her and they will go away together and never return to Collinwood. Vicki is driving Barnabas to the cemetery. Barnabas expresses his doubts about what they are doing. He is concerned about the time. They must be on the ship and settled before sunrise. Suddenly, someone steps out into the road. Vicki recognizes him as Peter Bradford. She swerves the car to avoid him and crashes the car.
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| - Juli glaubt nicht mehr an ein Happy End mit Oliver und beschließt, Essen zu verlassen. Maximilian ist geschockt und macht Juli ein überraschendes Geständnis, um sie aufzuhalten. Annette tröstet Ingo, der traurig ist, dass Zoé ihm keine Chance mehr zu geben scheint. Doch plötzlich steht Celine vor der Tür und macht Ingo klar: Wenn er es mit Zoé wirklich ernst meint, will sie einer Vater-Tochter-Beziehung nicht mehr im Weg stehen. Marian ist tief getroffen, dass Nadja ihre Gefühle für Richard zugegeben hat. Nadja entschließt sich, ihre Zusammenarbeit mit Richard zu beenden, um ihre Beziehung zu retten. Doch Marian öffnet Nadja die Augen und auch ihr wird endlich klar, dass sie beide keine Chance mehr haben...
- El cuatrocientos sesenta y cinco (465) es el número natural que sigue al 464 y precede al 466. Categoría:Números
- Vicki is in the drawing room at Collinwood when Barnabas, at the Old House, mentally calls out and tells her to go to his portrait. After she walks to the portrait, he tells her that he will come for her and they will go away together and never return to Collinwood. Vicki is driving Barnabas to the cemetery. Barnabas expresses his doubts about what they are doing. He is concerned about the time. They must be on the ship and settled before sunrise. Suddenly, someone steps out into the road. Vicki recognizes him as Peter Bradford. She swerves the car to avoid him and crashes the car.
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| - Vicki is in the drawing room at Collinwood when Barnabas, at the Old House, mentally calls out and tells her to go to his portrait. After she walks to the portrait, he tells her that he will come for her and they will go away together and never return to Collinwood. While Vicki is still staring at Barnabas' portrait, there is a knock at the door. It is Joe Haskell. He has stopped by to give her a charm bracelet he found that he recognized as hers. Vicki remembers that she last saw it at the Collinsport Courthouse during her trial. Reverend Trask brought it as evidence against her. Joe is confused because there hasn't been a trial there in over 50 years. He worries that the town is planning to tear down the condemned courthouse and she could have been hurt by being inside. Vicki thinks the bracelet might prove that she was there a long, long time ago. It is 11:00 pm, and Vicki has fallen asleep in the drawing room while reading a book. She dreams that Peter Bradford is in his jail cell, asking for her help. She tells Peter that she tried to convince the judges of his innocence, but they acted as if she wasn't even there. She remembers someone who can help, and she'll make him tell the truth. She turns and sees Nathan Forbes slumped over a desk, drunk. Vicki pleads with him to not let Peter die, but Nathan tells her that the judges won't listen to him any more than they listened to her because they are both dead. In her dream, Vicki is back outside Peter's cell but it is empty and the door is open. She turns and sees Peter standing at the gallows about to be hanged. She runs over and embraces him saying she won't let them hang him. Peter again tells her they will find some way to be together. The gaoler pulls Vicki away from Peter. The hangman puts the noose around his neck and a hood over his head and then hangs him. Vicki wakes up shouting Peter's name. Barnabas is standing next to her and asks who Peter is. She explains that he is someone she once knew. Barnabas tells her to forget him. He is ready to leave but she has one more thing to do first, or she'll never have peace. She must know if what she experienced during the séance really happened. She says she must go to the mausoleum to see if there is a secret room. If it is there, she'll know she lived through a part of the past. Vicki is driving Barnabas to the cemetery. Barnabas expresses his doubts about what they are doing. He is concerned about the time. They must be on the ship and settled before sunrise. Suddenly, someone steps out into the road. Vicki recognizes him as Peter Bradford. She swerves the car to avoid him and crashes the car.
- Juli glaubt nicht mehr an ein Happy End mit Oliver und beschließt, Essen zu verlassen. Maximilian ist geschockt und macht Juli ein überraschendes Geständnis, um sie aufzuhalten. Annette tröstet Ingo, der traurig ist, dass Zoé ihm keine Chance mehr zu geben scheint. Doch plötzlich steht Celine vor der Tür und macht Ingo klar: Wenn er es mit Zoé wirklich ernst meint, will sie einer Vater-Tochter-Beziehung nicht mehr im Weg stehen. Marian ist tief getroffen, dass Nadja ihre Gefühle für Richard zugegeben hat. Nadja entschließt sich, ihre Zusammenarbeit mit Richard zu beenden, um ihre Beziehung zu retten. Doch Marian öffnet Nadja die Augen und auch ihr wird endlich klar, dass sie beide keine Chance mehr haben...
- El cuatrocientos sesenta y cinco (465) es el número natural que sigue al 464 y precede al 466. Categoría:Números
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