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Manfred Mann Chapter Three was a British experimental jazz rock band founded by South African keyboard player Manfred Mann and long-time partner Mike Hugg. The line-up for its debut at Newcastle's Mayfair Ballroom on 24 October 1969 was; Mike Hugg (vocals/electric piano), Mann (organ), Bernie Living (alto sax), Steve York (bass) and Craig Collinge (drums), augmented by a five-piece brass section of Clive Stevens (tenor sax), Carl Griffiths (tenor sax), Dave Coxhill (baritone sax), Gerald Drewett (trombone) and Sonny Corbett (trumpet).

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  • Manfred Mann Chapter Three
rdfs:comment
  • Manfred Mann Chapter Three was a British experimental jazz rock band founded by South African keyboard player Manfred Mann and long-time partner Mike Hugg. The line-up for its debut at Newcastle's Mayfair Ballroom on 24 October 1969 was; Mike Hugg (vocals/electric piano), Mann (organ), Bernie Living (alto sax), Steve York (bass) and Craig Collinge (drums), augmented by a five-piece brass section of Clive Stevens (tenor sax), Carl Griffiths (tenor sax), Dave Coxhill (baritone sax), Gerald Drewett (trombone) and Sonny Corbett (trumpet).
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Label
Name
  • Manfred Mann Chapter Three
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Caption
  • Manfred Mann Chapter Three
Associated Acts
Years Active
  • 1969(xsd:integer)
Background
  • group_or_band
Current Members
abstract
  • Manfred Mann Chapter Three was a British experimental jazz rock band founded by South African keyboard player Manfred Mann and long-time partner Mike Hugg. The line-up for its debut at Newcastle's Mayfair Ballroom on 24 October 1969 was; Mike Hugg (vocals/electric piano), Mann (organ), Bernie Living (alto sax), Steve York (bass) and Craig Collinge (drums), augmented by a five-piece brass section of Clive Stevens (tenor sax), Carl Griffiths (tenor sax), Dave Coxhill (baritone sax), Gerald Drewett (trombone) and Sonny Corbett (trumpet). The band's approach centred around the "time, no changes" approach of Miles Davis and John Coltrane applied to slow, funky grooves with voodoo lyrics inspired by Dr John alternating with blaring big-band horn riffs and improvised free-jazz solos reminiscent of Ornette Coleman and Albert Ayler. Although intelligible at a time when artists like Davis himself were crossing over into the rock/funk field and American "jazz-rock" ensembles such as Blood, Sweat and Tears and The Mothers of Invention espoused brass sections and atonality, the formula was limited and the band expensive to maintain, so it was short-lived and disbanded after two albums. A third album was recorded in 1971, but shelved before its release. It consisted both of love songs which Mike Hugg would rerecord for his first solo albums and more experimental music featuring brass arrangements or Manfred Mann on the Moog synthesizer. Mann went on to form Manfred Mann's Earth Band in 1971.
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