About: Austin Powers: The Spy Who Shagged Me   Sponge Permalink

An Entity of Type : dbkwik:resource/cLdc_izgvd0hqPjCMhnpUg==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The film's title is a play on the 1977 Bond film The Spy Who Loved Me and contains plot elements from The Pink Panther Strikes Again and the other James Bond films, Diamonds Are Forever (laser gun plot), You Only Live Twice (secret volcano base), Moonraker (outer space), The Man with the Golden Gun (Mini-Me based on character Nick Nack) and On Her Majesty's Secret Service (opening sequence in which it turns out that Vanessa Kensington was a fembot).

AttributesValues
rdf:type
rdfs:label
  • Austin Powers: The Spy Who Shagged Me
rdfs:comment
  • The film's title is a play on the 1977 Bond film The Spy Who Loved Me and contains plot elements from The Pink Panther Strikes Again and the other James Bond films, Diamonds Are Forever (laser gun plot), You Only Live Twice (secret volcano base), Moonraker (outer space), The Man with the Golden Gun (Mini-Me based on character Nick Nack) and On Her Majesty's Secret Service (opening sequence in which it turns out that Vanessa Kensington was a fembot).
sameAs
dcterms:subject
dbkwik:movies/prop...iPageUsesTemplate
Starring
Editing
Runtime
  • 5700.0
Producer
Country
  • United States
Name
  • Austin Powers:
  • The Spy Who Shagged Me
Caption
  • Theatrical release poster
Cinematography
Music
Gross
  • 3.12016858E8
Studio
Distributor
Released
  • 1999-06-11(xsd:date)
Budget
  • 3.3E7
Writer
Director
abstract
  • The film's title is a play on the 1977 Bond film The Spy Who Loved Me and contains plot elements from The Pink Panther Strikes Again and the other James Bond films, Diamonds Are Forever (laser gun plot), You Only Live Twice (secret volcano base), Moonraker (outer space), The Man with the Golden Gun (Mini-Me based on character Nick Nack) and On Her Majesty's Secret Service (opening sequence in which it turns out that Vanessa Kensington was a fembot). The film grossed around US$310 million in worldwide ticket sales, taking more money during its opening weekend than the entire box office proceeds of its predecessor. It was nominated at the 72nd Academy Awards for the Academy Award for Best Makeup (Michèle Burke and Mike Smithson).
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