In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
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| - In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
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| Winner
| - The Aviator — Robert Richardson
- Memoirs of a Geisha — Dion Beebe
- American Beauty — Conrad L. Hall
- There Will Be Blood — Robert Elswit
- Hugo — Robert Richardson
- The Lord of the Rings: The Fellowship of the Ring — Andrew Lesnie
- Crouching Tiger, Hidden Dragon — Peter Pau
- Titanic — Russell Carpenter
- Birdman or (The Unexpected Virtue of Ignorance) — Emmanuel Lubezki
- Gravity — Emmanuel Lubezki
- Road to Perdition — Conrad L. Hall
- Close Encounters of the Third Kind — Vilmos Zsigmond
- A Midsummer Night's Dream — Hal Mohr
- A River Runs through It — Philippe Rousselot
- Anthony Adverse — Gaetano Gaudio
- Apocalypse Now — Vittorio Storaro
- Avatar — Mauro Fiore
- Barry Lyndon — John Alcott
- Bonnie and Clyde — Burnett Guffey
- Bound for Glory — Haskell Wexler
- Braveheart — John Toll
- Cabaret — Geoffrey Unsworth
- Charles Rosher and Karl Struss — Sunrise
- Cleopatra — Victor Milner
- Cries and Whispers — Sven Nykvist
- Dances With Wolves — Dean Semler
- Days of Heaven — Nestor Almendros
- Fanny & Alexander — Sven Nykvist
- Fiddler on the Roof — Oswald Morris
- Gandhi — Billy Williams, Ronnie Taylor
- Glory — Freddie Francis
- Inception — Wally Pfister
- JFK — Robert Richardson
- Legends of the Fall — John Toll
- Life of Pi — Claudio Miranda
- Mississippi Burning — Peter Biziou
- Out of Africa — David Watkin
- Pan's Labyrinth — Guillermo Navarro
- Reds — Vittorio Storaro
- Romeo and Juliet — Pasqualino De Santis
- Ryan's Daughter — Freddie Young
- Saving Private Ryan — Janusz Kaminski
- Schindler's List — Janusz Kaminski
- Shanghai Express — Lee Garmes
- Slumdog Millionaire — Anthony Dod Mantle
- Tabu — Floyd Crosby
- Tess — Geoffrey Unsworth, Ghislain Cloquet
- The Bridge on the River Kwai — Jack Hildyard
- The English Patient — John Seale
- The Good Earth — Karl Freund
- The Great Waltz — Joseph Ruttenberg
- The Killing Fields — Chris Menges
- The Last Emperor — Vittorio Storaro
- The Mission — Chris Menges
- To Oliver Marsh and Allen Davey for the color cinematography of the Metro-Goldwyn-Mayer production, Sweethearts.
- Butch Cassidy and the Sundance Kid — Conrad Hall
- Master and Commander: The Far Side of the World — Russell Boyd
- The Towering Inferno — Fred Koenekamp, Joseph Biroc
- With Byrd at the South Pole — Joseph T. Rucker, Willard Van Der Veer
- To W. Howard Greene and Harold Rosson for the color cinematography of the Selznick International Production, The Garden of Allah.
- A Farewell to Arms — Charles Bryant Lang, Jr.
- To W. Howard Greene for the color photography of A Star Is Born
- Clyde De Vinna — White Shadows in the South Sea
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| nominee
| - 1776(xsd:integer)
- 1941(xsd:integer)
- A Very Long Engagement — Bruno Delbonnel
- House of Flying Daggers — Zhao Xiaoding
- The Passion of the Christ — Caleb Deschanel
- Batman Begins — Wally Pfister
- Brokeback Mountain — Rodrigo Prieto
- Good Night, and Good Luck. — Robert Elswit
- The New World — Emmanuel Lubezki
- Sleepy Hollow — Emmanuel Lubezki
- Snow Falling on Cedars — Robert Richardson
- The End of the Affair — Roger Pratt
- The Insider — Dante Spinotti
- The Diving Bell and the Butterfly — Janusz Kaminski
- Atonement — Seamus McGarvey
- No Country for Old Men — Roger Deakins
- The Assassination of Jesse James by the Coward Robert Ford — Roger Deakins
- The Artist — Guillaume Schiffman
- The Tree of Life — Emmanuel Lubezki
- War Horse — Janusz Kaminski
- The Girl with the Dragon Tattoo — Jeff Cronenweth
- Amélie — Bruno Delbonnel
- Black Hawk Down — Slawomir Idziak
- Moulin Rouge — Donald M. McAlpine
- The Man Who Wasn't There — Roger Deakins
- Gladiator — John Mathieson
- Malèna — Lajos Koltai
- O Brother, Where Art Thou? — Roger Deakins
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