Nampeyo developed her own style based on the traditional designs. Her work was purchased for the Smithsonian Institution and by collectors worldwide. In 1904 and 1907, she produced and sold pottery at the Grand Canyon lodge owned by the Fred Harvey Company. She and her husband traveled to Chicago in 1898 and 1910 to display her work. Nampeyo began to lose her sight in 1925, but continued to form and shape pots by touch. These later pots were painted by members of her family, including her four daughters, who also became well-known potters. She worked with clay until her death in 1942.
Nampeyo developed her own style based on the traditional designs. Her work was purchased for the Smithsonian Institution and by collectors worldwide. In 1904 and 1907, she produced and sold pottery at the Grand Canyon lodge owned by the Fred Harvey Company. She and her husband traveled to Chicago in 1898 and 1910 to display her work. Nampeyo began to lose her sight in 1925, but continued to form and shape pots by touch. These later pots were painted by members of her family, including her four daughters, who also became well-known potters. She worked with clay until her death in 1942. Nampeyo's photograph was often used as a symbol of the Hopi people and, by the end of her life, she was drawing huge numbers of tourists to her workshop. Her influence led to a renewal of the pottery making tradition among the Hopi and to the elevation of traditional pottery forms and decoration to an art form.