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An Entity of Type : dbkwik:resource/5DCuqfwcJAyWUBCKuBjp-g==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

In each series, the "Revolution" issue represented a jump of six months after the previous issue's events. In most cases, "Revolution" also marked an attempt to send each title in a new creative direction, and to this end new creative teams were assigned to the titles. Many characters' Costumes were redesigned, and a "Revolution" logo was printed along the right-hand side of each issue. The most publicized of the changes was the return of writer Chris Claremont to the flagship titles X-Men vol. 2 and Uncanny X-Men, after nearly a decade's absence.

AttributesValues
rdf:type
rdfs:label
  • Revolution (comics)
rdfs:comment
  • In each series, the "Revolution" issue represented a jump of six months after the previous issue's events. In most cases, "Revolution" also marked an attempt to send each title in a new creative direction, and to this end new creative teams were assigned to the titles. Many characters' Costumes were redesigned, and a "Revolution" logo was printed along the right-hand side of each issue. The most publicized of the changes was the return of writer Chris Claremont to the flagship titles X-Men vol. 2 and Uncanny X-Men, after nearly a decade's absence.
sameAs
sort
  • Revolution
dcterms:subject
dbkwik:crossgen-co...iPageUsesTemplate
dbkwik:heykidscomi...iPageUsesTemplate
Theme
  • y
Issues
  • 9(xsd:integer)
Type
  • storyarc
TPB
  • Counter-X: Volume 1: X-Force
  • Counter-X: Volume 2: Generation X
  • Counter-X: Volume 3: X-Man
endmo
  • June
Title
  • Revolution
Titles
  • Uncanny X-Men #381
  • Cable #79
  • Gambit #16
  • Generation X #63
  • Magneto: Dark Seduction #1
  • Wolverine #150
  • X-Force #102
  • X-Man #63
  • X-Men #100
startyr
  • 2000(xsd:integer)
individual
  • y
subcat
  • Marvel Comics
endyr
  • 2000(xsd:integer)
ID
  • 816(xsd:integer)
Superhero
  • y
startmo
  • May
Writers
Publisher
ISBN
  • 0(xsd:integer)
abstract
  • In each series, the "Revolution" issue represented a jump of six months after the previous issue's events. In most cases, "Revolution" also marked an attempt to send each title in a new creative direction, and to this end new creative teams were assigned to the titles. Many characters' Costumes were redesigned, and a "Revolution" logo was printed along the right-hand side of each issue. The most publicized of the changes was the return of writer Chris Claremont to the flagship titles X-Men vol. 2 and Uncanny X-Men, after nearly a decade's absence. The event also included nods to early-1990s marketing strategies such as printing variant covers and including trading cards. The excitement of the event was dampened by Marvel Comics' timing, as most of the series involved had launched with all or part of their new creative teams a month before the event, even though the "Revolution" logo was still printed on the May issues, and Uncanny X-Men did not join the "Revolution" event until its June 2000 issue. Furthermore, Claremont stated in later interviews that he had ghostwritten several issues of various X-Men titles before the event.
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