Generally considered their 'flagship' range was their continual line of Doctor Who novelisations. These novelisations were adapted from popular episodes of the television series, and were usually novelised by the original script writer, or an in-house author, such as or . Target also produced a number of other Doctor Who books, including ranges such as The Companions of Doctor Who and Doctor Who Discovers.
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| - Generally considered their 'flagship' range was their continual line of Doctor Who novelisations. These novelisations were adapted from popular episodes of the television series, and were usually novelised by the original script writer, or an in-house author, such as or . Target also produced a number of other Doctor Who books, including ranges such as The Companions of Doctor Who and Doctor Who Discovers.
- They were best known for their novelisations of Doctor Who stories, mostly because the novelisations were the only way that fans could experience missing episodes. Or even non-missing episodes that just hadn't been released on video yet, or televised in fucking years (Thanks BBC.)
- The Target imprint changed hands many times over its history but up until the end, when it adopted a more modern monochrome version, retained its distinctive, brightly-coloured logo. By the end of the series, they had novelised almost every Doctor Who television story and adapted every one of the First, Second, Third and Seventh Doctors' on-screen adventures. See also:
* Target Books novelisations covers (for a televised ordered gallery)
* Doctor Who novelisation covers
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| - Generally considered their 'flagship' range was their continual line of Doctor Who novelisations. These novelisations were adapted from popular episodes of the television series, and were usually novelised by the original script writer, or an in-house author, such as or . Target also produced a number of other Doctor Who books, including ranges such as The Companions of Doctor Who and Doctor Who Discovers.
- The Target imprint changed hands many times over its history but up until the end, when it adopted a more modern monochrome version, retained its distinctive, brightly-coloured logo. By the end of the series, they had novelised almost every Doctor Who television story and adapted every one of the First, Second, Third and Seventh Doctors' on-screen adventures. The importance of the Doctor Who novelisations to maintaining interest and knowledge in the franchise cannot be overestimated. Prior to the 1980s, it was usually impossible to obtain recordings of previously aired stories. Reruns were rare and sporadic, and many episodes from the 1960s were destroyed and believed lost forever. The novelisations were (and in some cases remain) the only venues for reliving past stories or catching up on stories never seen before by fans. They also provided opportunities for many stories to be presented in a form unhampered by TV budgets and special effects technology limitations. See also:
* Target Books novelisations covers (for a televised ordered gallery)
* Doctor Who novelisation covers
- They were best known for their novelisations of Doctor Who stories, mostly because the novelisations were the only way that fans could experience missing episodes. Or even non-missing episodes that just hadn't been released on video yet, or televised in fucking years (Thanks BBC.)
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