About: Spud Murphy   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Jimmy Mundy (28 June 1907–24 April 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie and Earl Hines. Born James Mundy in Cincinnati, Ohio, and gained his arranging skills in the 1920s while playing with local bands led by Erskine Tate, Tommy Miles, and Carroll Dickerson. In 1932 he joined Earl Hines for four years, originally as a saxophonist, but swiftly developing a reputation as an arranger. After selling one of his arrangements to Benny Goodman in 1935, Goodman hired him away from Hines, and Mundy became Goodman's staff arranger. (Mundy also did a couple of arrangements for Claude Hopkins in 1932.)

AttributesValues
rdfs:label
  • Spud Murphy
rdfs:comment
  • Jimmy Mundy (28 June 1907–24 April 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie and Earl Hines. Born James Mundy in Cincinnati, Ohio, and gained his arranging skills in the 1920s while playing with local bands led by Erskine Tate, Tommy Miles, and Carroll Dickerson. In 1932 he joined Earl Hines for four years, originally as a saxophonist, but swiftly developing a reputation as an arranger. After selling one of his arrangements to Benny Goodman in 1935, Goodman hired him away from Hines, and Mundy became Goodman's staff arranger. (Mundy also did a couple of arrangements for Claude Hopkins in 1932.)
sameAs
Strength
  • Peak human.
Alignment
  • Good
dcterms:subject
BaseOfOperations
UnusualFeatures
  • Looks like a Mr Potato Head
HistoryText
  • Spud was one of the Strontium Dogs sent to capture Johnny Alpha and his allies when Nelson Bunker Kreelman took control of the Agency. When Spud realised that Johnny's gang were being falsely accused, he chipped in on their side. Injured while attempting to infiltrate the Agency's orbital base, the Doghouse, Spud instructed his comrades to leave him behind as he'd only slow them down. He had only time to emit a plaintive "Begorrah!" before he was found and fried by the Stix Brothers.
CurrentAlias
  • Spud Murphy
dbkwik:crossgen-co...iPageUsesTemplate
dbkwik:heykidscomi...iPageUsesTemplate
dbkwik:jaz/property/wikiPageUsesTemplate
Creators
  • John Wagner; Alan Grant; Carlos Ezquerra
Origin
  • Mutated by strontium-90
Affiliation
Hair
  • None
Name
  • Mundy,Jimmy
Abilities
  • Proficient bounty hunter.
Date of Death
  • 1983(xsd:integer)
PlaceOfBirth
  • Northern Ireland
Citizenship
  • Irish
Universe
  • 2000(xsd:integer)
Occupation
  • Bounty hunter
Gender
  • Male
RealName
  • Fintan Murphy
Date of Birth
  • 1907(xsd:integer)
Death
  • 2000(xsd:integer)
abstract
  • Jimmy Mundy (28 June 1907–24 April 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie and Earl Hines. Born James Mundy in Cincinnati, Ohio, and gained his arranging skills in the 1920s while playing with local bands led by Erskine Tate, Tommy Miles, and Carroll Dickerson. In 1932 he joined Earl Hines for four years, originally as a saxophonist, but swiftly developing a reputation as an arranger. After selling one of his arrangements to Benny Goodman in 1935, Goodman hired him away from Hines, and Mundy became Goodman's staff arranger. (Mundy also did a couple of arrangements for Claude Hopkins in 1932.) Mundy was also a significant supplier of arrangements to Count Basie (from about 1940 to 1947), as well as writing for Gene Krupa, Paul Whiteman, Dizzy Gillespie (in 1949), Charlie Spivak, Harry James, and many others. He briefly led his own band in 1939, but after World War II he returned to arranging for Basie, James, and others. He wrote the score to the 1955 musical The Vamp which starred Carol Channing. The 1957 musical Livin' The Life and the 2010 dance revue Come Fly Away also had some of his music. In 1959, Mundy moved to Paris, where he was musical director for Barclay Records, returning to the U.S. in the 1960s. He continued an active career as a writer into the 1970s.
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