rdfs:comment
| - (a commuter train ploughs through the night air. the commuters sit still in the loud, bouncy car) ANNOUNCEMENT: (public address) Next stop - Bay Station, transfers to Silver Line, Orange Line and all commuter rails. TEENAGER: (at the station, a young man panhandles the busy commuters after the train stops) Any change? (ignored, he approaches a lady) Excuse me, ma'am. Do you have any spare change? (ignored again) Thank you. God bless. (approaches a business man with a God could be Watching poster) Excuse me, sir. Do you have any spare change? COMMUTER: No. No, I'm sorry.
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abstract
| - (a commuter train ploughs through the night air. the commuters sit still in the loud, bouncy car) ANNOUNCEMENT: (public address) Next stop - Bay Station, transfers to Silver Line, Orange Line and all commuter rails. TEENAGER: (at the station, a young man panhandles the busy commuters after the train stops) Any change? (ignored, he approaches a lady) Excuse me, ma'am. Do you have any spare change? (ignored again) Thank you. God bless. (approaches a business man with a God could be Watching poster) Excuse me, sir. Do you have any spare change? COMMUTER: No. No, I'm sorry. TEENAGER: Anything you can manage, Sir, anything you can... (bumps the man, and pickpockets his wallet) Thank you. God bless you anyways, sir. (continues away from the man he robbed) PLATFORM ANNOUNCER: Now approaching on Track 18, the 331 Express train to Providence. (onboard the moving train, a whirring noise alarms the passengers and a bright blue light appears at the end of the car. the light grows in intensity and a man steps through the temporal window he created. the car goes dark and commuters sit silently as the train comes to a stop in the station. Alistair Peck steps from the car and is immediately solicited) TEENAGER: Spare change? (Peck ignores the panhandler and walks down the platform. The panhandler steps onto the train and into a car full of corpses. the departure bell sounds and the train leaves the station, trapping him with the bodies) Oh, God. Oh, God. No, no, please! Let me outta here! Help! Let me outta here!
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