About: Raymond Chandler's "Murder on the Orient Express"

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About: Raymond Chandler's "Murder on the Orient Express" Sponge Permalink

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The answer was obvious. An Anglo-American writer of detective fiction of unimpeachable reputation, Raymond Chandler, was hired and immediately suggested teaming up Poirot with his own creation – former metaphysical poet, Marlowe. This allowed for a narration in the hard-bitten gum-shoe style familiar from Sam Spade movies and a style audiences would find more acceptable. Chandler called his screenplay “Dead Dagoes Don’t Drive Diesels!” but MGM refused to rename the project claiming the title would alienate an important section of its potential audience - steam enthusiasts.

Attributes	Values
rdfs:label	Raymond Chandler's "Murder on the Orient Express"
rdfs:comment	The answer was obvious. An Anglo-American writer of detective fiction of unimpeachable reputation, Raymond Chandler, was hired and immediately suggested teaming up Poirot with his own creation – former metaphysical poet, Marlowe. This allowed for a narration in the hard-bitten gum-shoe style familiar from Sam Spade movies and a style audiences would find more acceptable. Chandler called his screenplay “Dead Dagoes Don’t Drive Diesels!” but MGM refused to rename the project claiming the title would alienate an important section of its potential audience - steam enthusiasts.
dcterms:subject	Literature Films Crime Mystery
dbkwik:uncyclopedi...iPageUsesTemplate	dbkwik:resource/-p1WJwBKpIZ6kc-pxCk3rQ== dbkwik:resource/7uBYv5RHxkUpub83eLaZlQ==
Revision	5003371(xsd:integer)
Date	2011-03-13(xsd:date)
abstract	The answer was obvious. An Anglo-American writer of detective fiction of unimpeachable reputation, Raymond Chandler, was hired and immediately suggested teaming up Poirot with his own creation – former metaphysical poet, Marlowe. This allowed for a narration in the hard-bitten gum-shoe style familiar from Sam Spade movies and a style audiences would find more acceptable. Chandler called his screenplay “Dead Dagoes Don’t Drive Diesels!” but MGM refused to rename the project claiming the title would alienate an important section of its potential audience - steam enthusiasts.

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