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| - Riyoko Ikeda(池田 理代子Ikeda Riyoko, born December 18, 1947 in Osaka, Japan) is a Japanese manga artist and singer. She is included in Year 24 Group. She was one of the most popular Japanese comic-artists in the 1970s, being best known for The Rose of Versailles, but gave up drawing manga to pursue a musical career. She made a comeback to the comic-industry as a scenarist in 1999. Her use of foreign settings and androgynous themes made The Rose of Versailles and Orpheus no Mado "enormous successes".
- Riyoko Ikeda (池田 理代子 Ikeda Riyoko, born December 18, 1947, in Osaka, Japan) is a Japanese manga artist and singer. She is included in the Year 24 Group: a group of female mangaka that became pioneers in the fields of manga, bringing up aesthetic and plot-wise changes in their works as well as opening the path for the appearance of female manga creators in general (other members are Moto Hagio, Keiko Takemiya, Yasuko Aoike, Yumiko Ooshima et al.)
- __NOEDITSECTION__ Image:Information-silk.png|Character Template rect 0 0 20 20 Staff Template desc none Riyoko Ikeda File:Riyoko Ikeda.jpg Gallery Real Name Riyoko Ikeda Employers [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]] , [[|]][[Category: Staff]
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| - __NOEDITSECTION__ Image:Information-silk.png|Character Template rect 0 0 20 20 Staff Template desc none Riyoko Ikeda File:Riyoko Ikeda.jpg Gallery Real Name Riyoko Ikeda Employers [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]], [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] , [[|]][[Category: Staff]] Job Titles Writer; Penciler; Inker; Cover Artist Gender Date of Birth December 18, 1947 Place of Birth Osaka, Kansai region, Japan First publication Unknown
- Riyoko Ikeda (池田 理代子 Ikeda Riyoko, born December 18, 1947, in Osaka, Japan) is a Japanese manga artist and singer. She is included in the Year 24 Group: a group of female mangaka that became pioneers in the fields of manga, bringing up aesthetic and plot-wise changes in their works as well as opening the path for the appearance of female manga creators in general (other members are Moto Hagio, Keiko Takemiya, Yasuko Aoike, Yumiko Ooshima et al.) Ikeda was one of the most popular Japanese comic artists in the 1970s, being best known for Rose of Versailles. She worked for the Shueisha group, with almost all of her works published in the shoujo magazine Margaret. After Rose of Versailles concluded, Ikeda wrote articles for Asahi Shimbun. In the 2000s, Ikeda studied at a music school and became a singer. Her voice is in the soprano range. She made a comeback to the comic industry as a scenarist in 1999.
- Riyoko Ikeda(池田 理代子Ikeda Riyoko, born December 18, 1947 in Osaka, Japan) is a Japanese manga artist and singer. She is included in Year 24 Group. She was one of the most popular Japanese comic-artists in the 1970s, being best known for The Rose of Versailles, but gave up drawing manga to pursue a musical career. She made a comeback to the comic-industry as a scenarist in 1999. Her use of foreign settings and androgynous themes made The Rose of Versailles and Orpheus no Mado "enormous successes".
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