Mano a Mano is a musical piece featured in Uncharted: Golden Abyss. It was composed by Clint Bajakian and was released on the Uncharted: Golden Abyss Original Soundtrack .
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| - Mano A Mano
- Mano a Mano
- Mano a mano
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| - Mano a mano, o combate cuerpo a cuerpo, es la habilidad que te permite luchar, de menor o mejor manera con tus puños. En el combate mano a mano no se causa daño directamente, si no que se reduce la Fatiga oponente, y cuando el oponente se desmaya, se le puede dañar la salud. Esta habilidad se relaciona mucho con la Fuerza.
- Mano a mano por Gardel con Guitarras de Barbieri y Ricardo.
- Mano a Mano is a musical piece featured in Uncharted: Golden Abyss. It was composed by Clint Bajakian and was released on the Uncharted: Golden Abyss Original Soundtrack .
- __NOEDITSECTION__ [[English name::| ]][[English name (linked)::| ]][[Card image::| ]] [[Card type:: Card| ]][[Card type (short)::[[ Card|]]| ]][[Attribute::| ]][[Type::| ]] [[Lore::During the Battle Phase, if either player controls 2 or more monsters, destroy this card. If a monster battles another monster, any battle damage either player takes from that battle is increased by 1000.| ]] [[?ATK::| ]][[ATK string::| ]][[?DEF::| ]][[DEF string::| ]][[Property::Continuous Card| ]][[Property (short)::[[Continuous Card|Continuous]]| ]] == Decks == ==Search categories==
- In Mano a Mano, Michel Camilo, returns to one of his most effective settings, the trio, but with a twist, using congas and small percussion, instead of trap drums. Featuring longtime friends, master conguero Giovanni Hidalgo and bassist Charles Flores, Michel's trio creates a lighter, more open sound, still powerful, yet also with a certain sweet mango-flavored lyricism that proves to be a perfect vehicle for a wide ranging repertoire that includes eight original compositions and three standards - Lee Morgan's "The Sidewinder," John Coltrane's "Naima," and Ariel Ramírez's "Alfonsina y el Mar." Musically, it's a demanding repertoire that cuts a wide swath. It includes Latin jazz barnburners (such as "Yes," and the title track) but also a nod to the sound of boogaloo and the 1960s Latin soul
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| - バトルフェイズ中、どちらかのフィールド上に表側表示で存在するモンスターが２体以上存在する場合、このカードを破壊する。モンスターとの戦闘によって発生するお互いのプレイヤーへの戦闘ダメージは１０００ポイントアップする。
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| - During the Battle Phase, if either player controls 2 or more monsters, destroy this card. If a monster battles another monster, any battle damage either player takes from that battle is increased by 1000.
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| - ManoaMano-JP-Anime-ZX.png
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| - __NOEDITSECTION__ [[English name::| ]][[English name (linked)::| ]][[Card image::| ]] [[Card type:: Card| ]][[Card type (short)::[[ Card|]]| ]][[Attribute::| ]][[Type::| ]] [[Lore::During the Battle Phase, if either player controls 2 or more monsters, destroy this card. If a monster battles another monster, any battle damage either player takes from that battle is increased by 1000.| ]] [[?ATK::| ]][[ATK string::| ]][[?DEF::| ]][[DEF string::| ]][[Property::Continuous Card| ]][[Property (short)::[[Continuous Card|Continuous]]| ]] Main card page: "[[Main card page::|]]" [[File:|link=File:|px]]
* [[Media:|en]]
* [[Media:|ja]]
* [[Media:|ko]]
* [[Media:|astral]]
* [[Media:|barian]]
* [[Media:|dub]]
* [[Card Gallery : #|Gallery]]
* [[Card Appearances : #|Appearances]]
* [[Card Trivia : #|Trivia]]
* [[Card Lores : #|Lores]]
* [[Card Artworks : #|Artworks]]
* [[Card Names : #|Names]] ==Other languages== == Decks == ==Search categories==
- Mano a mano, o combate cuerpo a cuerpo, es la habilidad que te permite luchar, de menor o mejor manera con tus puños. En el combate mano a mano no se causa daño directamente, si no que se reduce la Fatiga oponente, y cuando el oponente se desmaya, se le puede dañar la salud. Esta habilidad se relaciona mucho con la Fuerza.
- Mano a mano por Gardel con Guitarras de Barbieri y Ricardo.
- Mano a Mano is a musical piece featured in Uncharted: Golden Abyss. It was composed by Clint Bajakian and was released on the Uncharted: Golden Abyss Original Soundtrack .
- In Mano a Mano, Michel Camilo, returns to one of his most effective settings, the trio, but with a twist, using congas and small percussion, instead of trap drums. Featuring longtime friends, master conguero Giovanni Hidalgo and bassist Charles Flores, Michel's trio creates a lighter, more open sound, still powerful, yet also with a certain sweet mango-flavored lyricism that proves to be a perfect vehicle for a wide ranging repertoire that includes eight original compositions and three standards - Lee Morgan's "The Sidewinder," John Coltrane's "Naima," and Ariel Ramírez's "Alfonsina y el Mar." Musically, it's a demanding repertoire that cuts a wide swath. It includes Latin jazz barnburners (such as "Yes," and the title track) but also a nod to the sound of boogaloo and the 1960s Latin soul ("The Sidewinder"); a samba-choro ("No Left Turn"), and a sly, neo-traditional rumba ("Rumba Pa'Ti"). Moreover, in Mano a Mano, Michel explores two essential popular styles from the Dominican Republic. His take on bachata, a kind of ballad, results in the exquisite "You and Me," which Michel calls "a bachata in black tie." While in "Rice and Beans," he reworks merengue, a two-step dance style. It's a first for Michel. "I played it at a rehearsal, just for kicks, as a lark, and everybody jumped in 'Yes, yes, let's do that one.' So it stuck. It's actually merengue-jazz. It's in the merengue tradition (and you can feel the typical quintillo, a five-note rhythmic figure, throughout the piece) -- but with the type of harmonic changes you find in jazz." And just as this trio can groove and dance, "Alfonsina y El Mar," a song from the Great Latin American Songbook made famous by the late singer Mercedes Sosa, gets here a thoughtful, smart "three-way intimate conversation." It's not by chance. For Michel, Mano a Mano underscores the fact that Latin jazz "is not just a continuous jam session. Yes, we can bring high energy when it's called for, but we also can be subtle when we need to be."
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