There is no definitive moment when the antihero came into existence as a literary trope. The antihero has evolved over time, changing as society's conceptions of the hero changed, from the Elizabethan times of Faust and William Shakespeare's Falstaff, to the darker-themed Victorian literature of the 19th century, such as John Gay's The Beggar's Opera, written in the mid-18th century, or as a timid, passive, indecisive man that contrasts sharply with other Greek heroes to Philip Meadows Taylor's Confessions of a Thug. The Byronic hero also sets a literary precedent for the modern concept of antiheroism.
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| - There is no definitive moment when the antihero came into existence as a literary trope. The antihero has evolved over time, changing as society's conceptions of the hero changed, from the Elizabethan times of Faust and William Shakespeare's Falstaff, to the darker-themed Victorian literature of the 19th century, such as John Gay's The Beggar's Opera, written in the mid-18th century, or as a timid, passive, indecisive man that contrasts sharply with other Greek heroes to Philip Meadows Taylor's Confessions of a Thug. The Byronic hero also sets a literary precedent for the modern concept of antiheroism.
- The following is a list and explanation of traits that define or are closely related to antiheroes in comics, These often include... Willingness to Kill - In most cases, conventional heroes refuse to kill or will only do so as a last resort. Many antiheroes are often willing to kill their enemies and in many cases even when an enemy could be taken alive.
- The antihero or antiheroine is a leading character in a film, book or play who lacks the traditional heroic qualities such as idealism, courage, nobility, fortitude, moral goodness, and altruism. Whereas the classical hero is larger than life, antiheroes are typically inferior to the reader in intelligence, dynamism or social purpose, giving rise to what Robbe-Grillet called “these heroes without naturalness as without identity”. The term is also sometimes used more broadly to cover Byronic heroes as well.
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| - There is no definitive moment when the antihero came into existence as a literary trope. The antihero has evolved over time, changing as society's conceptions of the hero changed, from the Elizabethan times of Faust and William Shakespeare's Falstaff, to the darker-themed Victorian literature of the 19th century, such as John Gay's The Beggar's Opera, written in the mid-18th century, or as a timid, passive, indecisive man that contrasts sharply with other Greek heroes to Philip Meadows Taylor's Confessions of a Thug. The Byronic hero also sets a literary precedent for the modern concept of antiheroism.
- The following is a list and explanation of traits that define or are closely related to antiheroes in comics, These often include... Willingness to Kill - In most cases, conventional heroes refuse to kill or will only do so as a last resort. Many antiheroes are often willing to kill their enemies and in many cases even when an enemy could be taken alive.
- The antihero or antiheroine is a leading character in a film, book or play who lacks the traditional heroic qualities such as idealism, courage, nobility, fortitude, moral goodness, and altruism. Whereas the classical hero is larger than life, antiheroes are typically inferior to the reader in intelligence, dynamism or social purpose, giving rise to what Robbe-Grillet called “these heroes without naturalness as without identity”. The term is also sometimes used more broadly to cover Byronic heroes as well.
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