| abstract
| - We are never likely to known when glaze (i.e. a coating of fired glass) was first applied to pottery, though the present state of knowledge would incline us to the opinion that the earliest glazed objects we possess are those of ancient Egypt) but the practice may have been originated independently wherever a knowledge of the elements of glass-making had spread, as all the early glazes were of the alkaline type, which must first be fused into a glass before they can be applied to pottery. Many primitive races seem to have burnished their pottery after it was fired, in order to get a glossy surface; and in ot er cases the surface was rendered shining and waterproof by coating it with waxy or resinous substances which were often coloured. It is possible that the black varnish of Greek vases was obtained by such a method, and though that point is not settled, we have many tapes of primitive pottery, both modern and ancient, which are Coate in this way. Such a coating is only a substitute for glaze in the work of peoples who do not know or have not mastered the technical secrets of true glazes. We can only consider as glazes those definite superficial layers of molten material which have been fired on the clay substance. Glazes are as varied as the various kinds of pottery, and it must never be forgotten that each kind of pottery is at its best with its appropriate glaze. The earliest known glazes (Egyptian and Assyrian) were silicates of soda and lime containing very little alumina and no lead. Such glazes are very uncertain in use, and can only be applied to pottery unusually rich in silica (i.e. deficient in clay). Consequently these alkaline glazes cannot be used on ordinary clay wares, and when they have been used successfully, the clay has always been coated with a surface layer of highly siliceous substance (e.g. the so-called Persian, Rhodian, Syrian and Egyptian ottery of the early middle ages). The fact that glazes containing lead-oxide would adhere to ordinary pottery when alkaline glazes would not was discovered at a very early period; for lead glazes were extensively used in Egypt and the nearer East in Ptolemaic times, and it is significant that, though the Romans made singularly little use of glazes of any kind, the pottery that succeeded theirs, either in western Europe or in the Byzantine empire, was generally covered 'with glazes rich in lead. Throughout Europe, ancl over the greater part of the world, leaded glazes have been continuously used and improved for all ordinary pottery, and it IS only with certain special hard-fired types of ware that they have yet been successfully replaced. Chinese porcelain and all the European porcelains made by analogous methods are hred at so high a temperature that a glaze by felspar softened by lime and silica is found most suitable for them, and the hard-fired stone wares, rich in silica, are often glazed with a salt glaze, or a melted earth rich in oxide of iron. Every kind of potter's clay (the mixture of clay, sand, flint, &c., from which the potter shapes his wares) has its owntype of glaze, and from the earliest time down to our own what the potter could produce in form or glaze or colour has been largely decided for him by the clay material at his command. With any good plastic clay which cannot be fired at the highest temperature, lead glazes have always proved, the most practicable. A similar clay, to which large quantities of sand are added, may be glazed by the vapours of common salt; and mixtures rich in felspar, like Chinese or European porcelain, can be glazed by melting felspathic materials upon them. Naturally those species of pottery which are the hardest fired are the most durable-the glazes of hard porcelain are more unchangeable than lead glazes, and these in their turn than alkaline glazes. The most important types of glaze are (I) alkaline glazes (e.g. Egyptian, Syrian, Persian, &c.), the oldest and most uncertain; (2) lead glazes, the most widespread in use and the best for all ordinary purposes; (3) felspathic glazes, the glazes of hard-fired porcelains, generally unsuited to any other material; (4) salt glaze, produced by vapours of common salt, the special glaze of stone wares. Many intermediate glazes have been devised to meet special needs, but these remain the only important groups. Fuller details on this important subject must be sought in the technical works.
* 15px|Colabora en Wikisource. Wikisource contiene el original de o sobre 1911 Encyclopædia Britannica/Ceramics/Glazes. En el cual se ha basado este artículo.
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