About: Marion Appleton   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Outside of Henson, Appleton's film credits include prosthetic or effects make-up for Tobe Hooper's Lifeforce and Mary Shelley's Frankenstein, as well as working on an animatronic narwhal for When the Whale's Came. The sister of British folk musician Trevor Lucas, Appleton provided album art for his short-lived group Fotheringay's self-titled debut album in 1970, and after he joined the group Fairport Convention, she did the same for their 1975 album Rising for the Moon. In the 1970s, she illustrated the books Seven at a Blow and The Cinema, both for publisher Macdonald.

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  • Marion Appleton
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  • Outside of Henson, Appleton's film credits include prosthetic or effects make-up for Tobe Hooper's Lifeforce and Mary Shelley's Frankenstein, as well as working on an animatronic narwhal for When the Whale's Came. The sister of British folk musician Trevor Lucas, Appleton provided album art for his short-lived group Fotheringay's self-titled debut album in 1970, and after he joined the group Fairport Convention, she did the same for their 1975 album Rising for the Moon. In the 1970s, she illustrated the books Seven at a Blow and The Cinema, both for publisher Macdonald.
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abstract
  • Outside of Henson, Appleton's film credits include prosthetic or effects make-up for Tobe Hooper's Lifeforce and Mary Shelley's Frankenstein, as well as working on an animatronic narwhal for When the Whale's Came. The sister of British folk musician Trevor Lucas, Appleton provided album art for his short-lived group Fotheringay's self-titled debut album in 1970, and after he joined the group Fairport Convention, she did the same for their 1975 album Rising for the Moon. In the 1970s, she illustrated the books Seven at a Blow and The Cinema, both for publisher Macdonald.
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