In Blake’s Visions of the Daughters of Albion (1793), one of his more difficult visionary works, Oothoon, a metaphoric persona for the enslaved British women of Blake’s society, is brutally raped by Bromion, and subsequently rejected by her would-be lover Theotormon. The plot involves contemplations of this situation from these three characters, as they work through the present sexual/gender politics. Visions, though not as widely read as Songs, is a highly crucial work to Blake’s conceptualization of gender and sexual liberation/freedoms.
| Attributes | Values |
|---|
| rdfs:label
| - William Blake, Visions of the Daughters of Albion (1793)
|
| rdfs:comment
| - In Blake’s Visions of the Daughters of Albion (1793), one of his more difficult visionary works, Oothoon, a metaphoric persona for the enslaved British women of Blake’s society, is brutally raped by Bromion, and subsequently rejected by her would-be lover Theotormon. The plot involves contemplations of this situation from these three characters, as they work through the present sexual/gender politics. Visions, though not as widely read as Songs, is a highly crucial work to Blake’s conceptualization of gender and sexual liberation/freedoms.
|
| dcterms:subject
| |
| abstract
| - In Blake’s Visions of the Daughters of Albion (1793), one of his more difficult visionary works, Oothoon, a metaphoric persona for the enslaved British women of Blake’s society, is brutally raped by Bromion, and subsequently rejected by her would-be lover Theotormon. The plot involves contemplations of this situation from these three characters, as they work through the present sexual/gender politics. Visions, though not as widely read as Songs, is a highly crucial work to Blake’s conceptualization of gender and sexual liberation/freedoms.
|