The Twin Peaks Sheriff's Hotline was a hotline provided for viewers to be filled in on details they may have missed from the first 8 episodes of second season of Twin Peaks, narrated by Kimmy Robertson, Harry Goaz, and Warren Frost as Lucy Moran, Andy Brennan, and Will Hayward, respectively, alongside an uncredited voice actor. The now-defunct hotline's number was 1-900-860-0911, it cost callers $2 for the first minute and $1 for each minute thereafter. Supposedly, parts of the proceeds were donated to environmental causes.
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| - The Twin Peaks Sheriff's Hotline was a hotline provided for viewers to be filled in on details they may have missed from the first 8 episodes of second season of Twin Peaks, narrated by Kimmy Robertson, Harry Goaz, and Warren Frost as Lucy Moran, Andy Brennan, and Will Hayward, respectively, alongside an uncredited voice actor. The now-defunct hotline's number was 1-900-860-0911, it cost callers $2 for the first minute and $1 for each minute thereafter. Supposedly, parts of the proceeds were donated to environmental causes.
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abstract
| - The Twin Peaks Sheriff's Hotline was a hotline provided for viewers to be filled in on details they may have missed from the first 8 episodes of second season of Twin Peaks, narrated by Kimmy Robertson, Harry Goaz, and Warren Frost as Lucy Moran, Andy Brennan, and Will Hayward, respectively, alongside an uncredited voice actor. The now-defunct hotline's number was 1-900-860-0911, it cost callers $2 for the first minute and $1 for each minute thereafter. Supposedly, parts of the proceeds were donated to environmental causes. The television promo and recordings of the hotline were released on Twin Peaks: Definitive Gold Box Edition and Twin Peaks: The Entire Mystery. "Twin Peaks Theme" ("Falling") ended most of the spots. "Dance of the Dream Man" provided the background music to all of the mysterious voice segments except the final one, which used "Laura Palmer's Theme." In Twin Peaks, every episode (with minor exceptions) comprised a single day in the life of the characters. But in this Hotline, these one-day accounts are presented as weekly accounts probably so the characters can finish their calls by seeing that they will be here "next Sunday." There is no explanation on how Lucy's phone in Tacoma is able to answer a call placed to the station or how the Voice also cuts in, violating the basic expectations of a telephone call. It may have been White Tail and Blue Pine mountains and their strange electromagnetic influence on everything that happens in town.
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