rdfs:comment
| - The story gave director Rex Tucker his first on-screen credit, despite his heavy involvement in the formative weeks of Doctor Who's pre-production in 1963, before Verity Lambert was hired. It was also the first televised story to have a song written especially for it. The next story to have an original song wouldn't come until The King's Demons almost twenty years later. Conversely, its final episode, "The O. K. Corral", was the last individually-titled episode, discounting charity events, until Rose. Both conditions — titled episodes and original songs — would become more commonplace in the BBC Wales era.
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abstract
| - The story gave director Rex Tucker his first on-screen credit, despite his heavy involvement in the formative weeks of Doctor Who's pre-production in 1963, before Verity Lambert was hired. It was also the first televised story to have a song written especially for it. The next story to have an original song wouldn't come until The King's Demons almost twenty years later. Conversely, its final episode, "The O. K. Corral", was the last individually-titled episode, discounting charity events, until Rose. Both conditions — titled episodes and original songs — would become more commonplace in the BBC Wales era. The Gunfighters was notable for its casting, both proposed and actual. The role of Johnny Ringo was offered to veteran actor Patrick Troughton, soon to be cast as the Second Doctor, but he was too busy. Anthony Jacobs, who played Doc Holliday, was the father of Matthew Jacobs, and brought his son onto the set. The younger Jacobs would later write the 1996 telemovie, somewhat muddying the common fan argument that the Paul McGann movie was the "American" version of Doctor Who. Despite its many notable factors, the serial was one of the worst-received in the series' history. Its poor ratings and low audience appreciation figures strengthened Innes Lloyd's argument that historical stories should be axed, though several more would be produced before the format was dropped.
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