Lee Perry is an actor who provided the voice of Bishan on Farscape.
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| - Lee Perry, właśc. Rainford Hugh Perry, znany jako „Scratch” – jamajski producent muzyczny, kompozytor i dubmaster. Uważany za ojca muzyki dub oraz jedną z najważniejszych ikon jamajskiej sceny muzycznej. W 1968 założył własną wytwórnię o nazwie Upsetter, a na początku lat 70. założył Black Ark Studio. W 1978 roku Lee „Scratch” Perry zamieszkał w USA, a obecnie żyje w Szwajcarii.
- Lee Perry is an actor who provided the voice of Bishan on Farscape.
- Lee "Scratch" Perry (born Rainford Hugh Perry, 20 March 1936, Kendal, Jamaica) is a musician and producer who has been influential in the development and acceptance of reggae and dub music in Jamaica and overseas. He employs numerous pseudonyms, including Pipecock Jackxon and The Upsetter.
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| - Lee Perry, właśc. Rainford Hugh Perry, znany jako „Scratch” – jamajski producent muzyczny, kompozytor i dubmaster. Uważany za ojca muzyki dub oraz jedną z najważniejszych ikon jamajskiej sceny muzycznej. W 1968 założył własną wytwórnię o nazwie Upsetter, a na początku lat 70. założył Black Ark Studio. W 1978 roku Lee „Scratch” Perry zamieszkał w USA, a obecnie żyje w Szwajcarii.
- Lee Perry is an actor who provided the voice of Bishan on Farscape.
- Lee "Scratch" Perry (born Rainford Hugh Perry, 20 March 1936, Kendal, Jamaica) is a musician and producer who has been influential in the development and acceptance of reggae and dub music in Jamaica and overseas. He employs numerous pseudonyms, including Pipecock Jackxon and The Upsetter. In the early 1970s Lee Scratch Perry was one of the producers whose mixing board experiments resulted in the creation of dub. In 1973, Perry built a studio in his back yard, The Black Ark, to have more control over his productions and continued to produce notable musicians such as Bob Marley & the Wailers, Junior Byles, Junior Murvin, the Heptones, The Congos and Max Romeo. With his own studio at his disposal, Perry's productions became more lavish, as the energetic producer was able to spend as much time as he wanted on the music he produced. Virtually everything Perry recorded in The Black Ark was done using basic recording equipment; through sonic sleight-of-hand, Perry made it sound unique. Perry remained behind the mixing desk for many years, producing songs and albums that stand out as a high point in reggae history. By 1978, stress and unwanted outside influences began to take their toll: both Perry and The Black Ark quickly fell into a state of disrepair. Eventually, the studio burned to the ground. Perry has constantly insisted that he burned the Black Ark himself in a fit of rage … (read more at Wikipedia)
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