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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

As is common knowledge, all Games in the UG take place under Our supervision. However, this particular Game is saddled with a nigh-unbelievable set of extenuating circumstances, catching the attention of the Higher Plane. Thus, I shall be taking a more hands-on role this time, as detailed in this report. The core differences in this Game are as follows: 1. * its role in plans for Shibuya's destruction, 2. * the Composer's absence from the UG, 3. * the resulting limitations to his powers, and 4. * the Game being played by a proxy.

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rdfs:label
  • Secret Reports
rdfs:comment
  • As is common knowledge, all Games in the UG take place under Our supervision. However, this particular Game is saddled with a nigh-unbelievable set of extenuating circumstances, catching the attention of the Higher Plane. Thus, I shall be taking a more hands-on role this time, as detailed in this report. The core differences in this Game are as follows: 1. * its role in plans for Shibuya's destruction, 2. * the Composer's absence from the UG, 3. * the resulting limitations to his powers, and 4. * the Game being played by a proxy.
dcterms:subject
dbkwik:kingdom--he...iPageUsesTemplate
dbkwik:kingdomhear...iPageUsesTemplate
dbkwik:twewy/prope...iPageUsesTemplate
abstract
  • As is common knowledge, all Games in the UG take place under Our supervision. However, this particular Game is saddled with a nigh-unbelievable set of extenuating circumstances, catching the attention of the Higher Plane. Thus, I shall be taking a more hands-on role this time, as detailed in this report. The core differences in this Game are as follows: 1. * its role in plans for Shibuya's destruction, 2. * the Composer's absence from the UG, 3. * the resulting limitations to his powers, and 4. * the Game being played by a proxy. The Composer has informed me of two major points: that he plans to destroy the UG, but also that his final decision will hinge on the outcome of his Game with the Conductor. A provisional rule for this Game requires the Composer to vacate the Underground. It is unprecedented for the Composer to be absent during a Game. I cannot predict what effect it may have. Furthermore, the Composer must lower the frequency of his vibe to travel from the UG to the RG, inevitably curtailing his abilities. This makes investigating the Conductor and his strategy incredibly difficult, as the Composer is still the only one who knows who and what I am. It means lingering in the UG to author reports carries a lethal risk. The greatest randomizer in the current Game is the use of a handpicked proxy to compete against the Conductor in the Composer's stead. No information on this person exists at present. While the situation seems dire, I believe the key to getting ahead of all of this is at hand. You see, time always builds upon the past. I have already located our key. It is a pin request from the Conductor. Normally, the psych manifestations of pins are determined by one's Imagination. Thus, by analyzing the pin, the user's Imagination-or rather, their true intentions - are revealed. Unfortunately, this order came through the Composer, and never came into contact with the Conductor. Thus, I could not use it to determine the nature of his Imagination. I, too, have lowered my vibe to tune in to the UG, limiting my abilities. However, at this stage, realizing that this pin holds the key is sufficient. The possibility of forestalling the plans for the UG's destruction remains the same.
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