In "The Human Factor", a police artist uses a sketch compositing computer program to produce an image of the suspect in a homicide investigation. When Mario Larouche, an arson investigator from Montreal, is murdered in a motel in Toronto, there is a witness—a woman whom he had picked up, who saw the probable killer leaving the room. However, although she has a clear idea of the appearance of the murderer, it requires a police artist to consult with her in the production of an actual sketch of the suspect suitable for showing to people who may be able to identify the face.
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rdfs:label
| - Police sketch computer program
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rdfs:comment
| - In "The Human Factor", a police artist uses a sketch compositing computer program to produce an image of the suspect in a homicide investigation. When Mario Larouche, an arson investigator from Montreal, is murdered in a motel in Toronto, there is a witness—a woman whom he had picked up, who saw the probable killer leaving the room. However, although she has a clear idea of the appearance of the murderer, it requires a police artist to consult with her in the production of an actual sketch of the suspect suitable for showing to people who may be able to identify the face.
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abstract
| - In "The Human Factor", a police artist uses a sketch compositing computer program to produce an image of the suspect in a homicide investigation. When Mario Larouche, an arson investigator from Montreal, is murdered in a motel in Toronto, there is a witness—a woman whom he had picked up, who saw the probable killer leaving the room. However, although she has a clear idea of the appearance of the murderer, it requires a police artist to consult with her in the production of an actual sketch of the suspect suitable for showing to people who may be able to identify the face.
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