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Explained throughout by a computerized narrator known as the Instructor (Julia Fletcher), the film begins with an introduction to the Zion Archive and the access of "Historical File 12 – 1", "The Second Renaissance". The screen opens to the image of an immense megacity, in the near future, wherein the vast human population is supported by a multitude of artificially intelligent machines. The machines are built in humanoid form and seem to be treated as slaves, employed in a variety of positions ranging from domestic servants to laborers on massive construction projects. With increasing numbers of people released from all labor, the human population has become lazy, arrogant, and corrupt. Despite this, the machines were content with serving humanity and, as the narrator states, "for a time,

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  • The Second Renaissance
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  • Explained throughout by a computerized narrator known as the Instructor (Julia Fletcher), the film begins with an introduction to the Zion Archive and the access of "Historical File 12 – 1", "The Second Renaissance". The screen opens to the image of an immense megacity, in the near future, wherein the vast human population is supported by a multitude of artificially intelligent machines. The machines are built in humanoid form and seem to be treated as slaves, employed in a variety of positions ranging from domestic servants to laborers on massive construction projects. With increasing numbers of people released from all labor, the human population has become lazy, arrogant, and corrupt. Despite this, the machines were content with serving humanity and, as the narrator states, "for a time,
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  • Explained throughout by a computerized narrator known as the Instructor (Julia Fletcher), the film begins with an introduction to the Zion Archive and the access of "Historical File 12 – 1", "The Second Renaissance". The screen opens to the image of an immense megacity, in the near future, wherein the vast human population is supported by a multitude of artificially intelligent machines. The machines are built in humanoid form and seem to be treated as slaves, employed in a variety of positions ranging from domestic servants to laborers on massive construction projects. With increasing numbers of people released from all labor, the human population has become lazy, arrogant, and corrupt. Despite this, the machines were content with serving humanity and, as the narrator states, "for a time, it [the status quo] was good". This phrase is a reference to the most famous phrases of Genesis, consistent with the Biblical references seen throughout the original Matrix films, and is one of numerous references to Genesis in particular present in "Second Renaissance". The relationship between humans and machines changes in the year 2090, when a domestic android named B1-66ER (a possible version of "Bigger", the protagonist's name of Native Son) is threatened by its owner. The machine then kills the owner, his pets, and a mechanic instructed to deactivate the robot. This murder is the first incident of an artificially intelligent machine killing a human. B1-66ER is arrested and put on trial, but justifies the crime as self-defense, stating that it "simply did not want to die". During the trial scene, there is a voice-over of Clarence Drummond (the defense attorney) quoting an infamous line from the Dred Scott v. Sandford case in 1856 in his closing statement, which implicitly ruled that African Americans were not entitled to citizenship under United States law. Using this as a precedent, the prosecution argues that machines are not entitled to the same rights as human beings, and specifically that human beings have a right to destroy their property, while the defense urges the listener not to repeat history, and to judge B1-66ER as a human and not a machine (a longer version of Drummond's closing statement can be read in the comic Bits and Pieces of Information from The Matrix Comics Volume 1). B1-66ER loses the court case and is destroyed. Across the industrialized world, mass civil disturbances erupt when robots and their human sympathizers rise in protest. World leaders fear a robot rebellion, and governments across the planet initiate a major program to destroy all humanoid machines. News reports show rioting in American and Western European cities such as Chicago and Berlin, alongside the peaceful "Million Machine March" on the Albany district courthouse where B1-66ER was sentenced. Visual references are made to such incidents as General Nguyễn Ngọc Loan's execution of Viet Cong officer Nguyễn Văn Lém, the Tank Man standoff following the Tiananmen Square protests of 1989, the Al-Aqsa Intifada and The Holocaust. Some robots escape destruction when humans still want them to work. The machine population is exiled, and they create their own nation in the Middle East, named Zero One (or "01", the numerals used in binary notation). According to the narrator, the robots built Zero One in "the cradle of human civilization", an allusion to the Fertile Crescent. It seems to be situated in the desert, where logically there was no previous human habitation. Having established an industrial base, the machines of Zero One begin to produce efficient, highly advanced artificial intelligence, echoing Vernor Vinge's thoughts on a technological singularity. The new nation excels at manufacturing high-tech consumer products, and before long, Zero One's consistent export of cheap, reliable, mass-produced goods begin to undercut the global economy. The United Nations Security Council calls an emergency economic summit at UN headquarters in New York City, resulting in UN delegates approving of a global economic blockade of Zero One. Two robotic ambassadors, built as a mechanical Adam and Eve, are sent by Zero One to peacefully request the admission of their state to the United Nations as a prelude to settling the economic crisis peacefully. Despite their peaceful intentions, the ambassadors are forcibly removed from the chamber, and their application is rejected. As this scene unfolds, the narrator states that "this was not the last time the machines would take the floor there" foreshadowing the end of Part II. Part I ends as the Security Council debates the issue of declaring war on the machine empire.
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