About: Possession (2002 film)   Sponge Permalink

An Entity of Type : dbkwik:resource/cLdc_izgvd0hqPjCMhnpUg==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Possession is a 2002 motion picture written and directed by Neil LaBute, based on the novel of the same name by A. S. Byatt. The film tells the story of two scholars, Roland Michell (played by Aaron Eckhart) and Maud Bailey (Gwyneth Paltrow), who investigate the affair of fictional Victorian era poet Randolph Henry Ash (Jeremy Northam), described in letters between him and another fictional poet, Christabel LaMotte (Jennifer Ehle).

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  • Possession (2002 film)
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  • Possession is a 2002 motion picture written and directed by Neil LaBute, based on the novel of the same name by A. S. Byatt. The film tells the story of two scholars, Roland Michell (played by Aaron Eckhart) and Maud Bailey (Gwyneth Paltrow), who investigate the affair of fictional Victorian era poet Randolph Henry Ash (Jeremy Northam), described in letters between him and another fictional poet, Christabel LaMotte (Jennifer Ehle).
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Starring
Editing
Runtime
  • 6120.0
Producer
Name
  • Possession
Caption
  • Original theatrical poster
Language
  • English
Title
  • Possession
IMDB ID
  • 256276(xsd:integer)
Distributor
ID
  • 256276(xsd:integer)
Released
  • 2002-08-16(xsd:date)
Writer
Director
abstract
  • Possession is a 2002 motion picture written and directed by Neil LaBute, based on the novel of the same name by A. S. Byatt. The film tells the story of two scholars, Roland Michell (played by Aaron Eckhart) and Maud Bailey (Gwyneth Paltrow), who investigate the affair of fictional Victorian era poet Randolph Henry Ash (Jeremy Northam), described in letters between him and another fictional poet, Christabel LaMotte (Jennifer Ehle). Early drafts of the film's screenplay were written by playwright David Henry Hwang in the nineties, but the project languished in pre-production for years (with directors like Sydney Pollack and Gillian Armstrong working on the film and eventually giving up) before LaBute came aboard. LaBute made drastic changes to the story, partially based on notes that Byatt had made on earlier drafts of the screenplay. LaBute recalled, "What she basically said was, 'This is Roland on the page; you must make him different in a film!' She got that Roland needed more drive. Just seeing those notes kind of gave me the keys to the kingdom. And so in the film, Roland keeps making these wild, imaginative leaps about the poets' lives, and Maud's both charmed and appalled." LaBute changed Roland's nationality from British to American, in what he denied was "shameless pandering to the audience....in part, it was [just] more comfortable for me to write Roland that way."
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