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An Entity of Type : dbkwik:resource/xoykDFxJFBgF02W_HRnEzw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

This was the first Tom and Jerry cartoon to be released in CinemaScope and the second to be produced in the format (the first was Touché, Pussy Cat, both released a month later), which widened the cinema screen to a more expansive aspect ratio to compete against the growing popularity of television. The CinemaScope process required thicker and more defined ink lines around the characters, giving them a slightly more "modern" and less detailed appearance.

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rdf:type
rdfs:label
  • Pet Peeve
rdfs:comment
  • This was the first Tom and Jerry cartoon to be released in CinemaScope and the second to be produced in the format (the first was Touché, Pussy Cat, both released a month later), which widened the cinema screen to a more expansive aspect ratio to compete against the growing popularity of television. The CinemaScope process required thicker and more defined ink lines around the characters, giving them a slightly more "modern" and less detailed appearance.
dcterms:subject
Row 9 info
Row 8 info
  • Technicolor/CinemaScope
Row 4 info
Row 10 title
  • Followed by
Row 7 title
  • Release date
Row 1 info
Row 8 title
  • Color process
Row 4 title
  • Music by
Row 9 title
  • Preceded by
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Row 6 info
  • Metro-Goldwyn-Mayer
Row 1 title
  • Directed by
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  • Produced by
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  • Distributed by
Row 10 info
Row 5 title
  • Animation by
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  • Joseph Barbera
  • William Hanna
Row 3 title
  • Story by
Row 7 info
  • 1954-11-20(xsd:date)
dbkwik:tomandjerry...iPageUsesTemplate
Box Title
  • Pet Peeve
imagewidth
  • 280(xsd:integer)
abstract
  • This was the first Tom and Jerry cartoon to be released in CinemaScope and the second to be produced in the format (the first was Touché, Pussy Cat, both released a month later), which widened the cinema screen to a more expansive aspect ratio to compete against the growing popularity of television. The CinemaScope process required thicker and more defined ink lines around the characters, giving them a slightly more "modern" and less detailed appearance. The cartoon is also the first to feature an owner of the house that is not Mammy Two Shoes, the African-American maid voiced by Lillian Randolph from the first cartoon Puss Gets the Boot (1940) up to and including 1952's Push-Button Kitty. Instead, Mammy was replaced with a white married couple.
is Row 9 info of
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is debut appearance of
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