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| - Melody Maker, published in the United Kingdom, was, according to its publisher IPC Media, the world's oldest weekly music newspaper. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In 2000 it was merged into "long-standing rival" (and IPC Media sister publication) New Musical Express.
- Melody Maker was a UK weekly music paper first published in 1926. Initially aimed at dance band musicians, it covered not only pop music but jazz (and, later, folk music) and was regarded in the 1960s as the most serious of the British pop weeklies. Besides its main news and feature pages, the paper included a large advertising section, with gig listings, ads from bands seeking to recruit new members, and offers of musical instruments for sale. By the end of the decade Melody Maker was thriving, gaining a large circulation by concentrating on the "underground" and "progressive" rock which Peel was playing on his BBC shows. This reflected the paper's tradition, going back to its dance band origins, of praising skilled, serious musicianship and mistrusting the more ephemeral, novelty aspects
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| abstract
| - Melody Maker, published in the United Kingdom, was, according to its publisher IPC Media, the world's oldest weekly music newspaper. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In 2000 it was merged into "long-standing rival" (and IPC Media sister publication) New Musical Express.
- Melody Maker was a UK weekly music paper first published in 1926. Initially aimed at dance band musicians, it covered not only pop music but jazz (and, later, folk music) and was regarded in the 1960s as the most serious of the British pop weeklies. Besides its main news and feature pages, the paper included a large advertising section, with gig listings, ads from bands seeking to recruit new members, and offers of musical instruments for sale. By the end of the decade Melody Maker was thriving, gaining a large circulation by concentrating on the "underground" and "progressive" rock which Peel was playing on his BBC shows. This reflected the paper's tradition, going back to its dance band origins, of praising skilled, serious musicianship and mistrusting the more ephemeral, novelty aspects of pop. In 2000 it was merged with the New Musical Express, the paper which had challenged its pre-eminence in the 1970s by hiring younger journalists (some of them from the underground press) and adopting a more irreverent approach to the music scene. Peel never wrote a regular column for MM, as he did for rival publications Disc & Music Echo and Sounds, although he took part in some of the paper's opinion features, such as the record review series Blind Date (in early 1968), was interviewed from time to time, and did contribute occasional pieces. As discussed with John Walters on Peeling Back The Years, Peel's victory in the DJ section of MM's 1968 readers' poll over Tony Blackburn may have helped to cement his position at Radio One. Walters commented: You look down a fairly straight poll – obviously the Beatles were in there and so on – and there was John Peel, and the top radio show was Top Gear. And I remember within Radio One people were absolutely astounded. And it was sort of resentment mixed with a reluctant acceptance that things had changed and that you had been a key part of it changing. After 1968 you were being seen as a figure of importance and influence.[1] Peel would eventually win the MM award 11 times. On his show of 05 May 1997, which featured Blur's visit to Peel Acres, Peel showed off to the band his 1931 Christmas double issue of MM and also recalled a piece he did for MM's 50th anniversary, noting that the lead article of the first issue had been about whether there was still a place for the banjo in the modern dance orchestra.
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