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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Unlike in American programs, in which bumps are typically supplied by the network (when they have them at all), eyecatches are almost always produced by the production company and considered a part of the program itself, rather than (or also serving as) a segue into a commercial break. They are typically 2–5 seconds long. Eyecatches for children's programs are often longer and more elaborate, while eyecatches for programming for adults may consist of nothing more than the program's logo against a black background.

AttributesValues
rdfs:label
  • Eyecatch
rdfs:comment
  • Unlike in American programs, in which bumps are typically supplied by the network (when they have them at all), eyecatches are almost always produced by the production company and considered a part of the program itself, rather than (or also serving as) a segue into a commercial break. They are typically 2–5 seconds long. Eyecatches for children's programs are often longer and more elaborate, while eyecatches for programming for adults may consist of nothing more than the program's logo against a black background.
  • Eyecatch is a Toradora! original soundtrack.
  • Each Yu-Gi-Oh! anime series has a different kind of eyecatches, although they are usually replaced with different graphics in the dubbed version, and removed in some international dubs.
  • Eyecatches of Showa era Kamen Rider Series featured illustrations of the protagonist . * The TV special Birth of the 10th! Kamen Riders All Together!! (1984), which introduced Kamen Rider ZX, forgone the eyecatch. Instead, the title Kamen Rider Special (仮面ライダースペシャル Kamen Raidā Supesharu) appears to the bottom right of the screen before the break and to the top left of the screen after the break, with a eyecatch sting from a previous series (Kamen Rider X for the first break, Kamen Rider (Skyrider) for the second, and Kamen Rider Super-1 for the last) accompanying the latter.
  • An eyecatch (アイキャッチ aikyatchi) or internal eyecatch is a scene or illustration used to begin and end a commercial break in a Japanese TV program, especially in anime and tokusatsu shows, such as Super Sentai, similar to how "bumpers" into/out of commercial breaks are used in the United States. The term is used, in Japan, to refer to all kinds of bumpers.
  • An eyecatch (アイキャッチ aikyatchi?) or internal eyecatch is a scene or illustration used to begin and end a commercial break in a Japanese TV program, especially in anime and tokusatsu shows, similar to how "bumpers" into/out of commercial breaks are used in the United States. The term is used, in Japan, to refer to all kinds of bumpers.
  • An Eyecatch is a mini-scene played before and after a commercial break in Anime. Some times in their place, an ad for a contest or a release of something merchandise related may be played instead. Usually the eyecatch is divided into two parts and tend to veer on the comedic side.
  • Eyecatch is a particular scene that happens just before and after a commercial break. Eyecatches are normally present in just about every anime that airs on television, though they are not present in movies. Although there are no commercials during an episode on a DVD, eyecatches are still present.
  • An eyecatch (Japanese: アイキャッチ Aikyatchi), is a transitional feature between a commercial break and a television show that is in most anime. In the outside of Japan, it is a commercial and/or bumper. The anime has featured eyecatches from its very beginning.
  • An Eyecatch (アイキャッチ, aikyatchi) or internal eyecatch is a scene or illustration used to begin and end a commercial break in a Japanese TV program, especially in anime and tokusatsu shows, similar to how "bumpers" into/out of commercial breaks are used in the United States. The term is used, in Japan, to refer to all kinds of bumpers.
sameAs
Length
  • 6.0
Arrangement
  • Yukari Hashimoto
dcterms:subject
color-bottom
  • #aa1134
color-top
  • #DB1846
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Previous
Album
  • Toradora Original Soundtrack
Name
  • Eyecatch
dbkwik:azumanga/pr...iPageUsesTemplate
tracknumber
  • 30(xsd:integer)
Track
  • 100(xsd:integer)
NEXT
abstract
  • Unlike in American programs, in which bumps are typically supplied by the network (when they have them at all), eyecatches are almost always produced by the production company and considered a part of the program itself, rather than (or also serving as) a segue into a commercial break. They are typically 2–5 seconds long. Eyecatches for children's programs are often longer and more elaborate, while eyecatches for programming for adults may consist of nothing more than the program's logo against a black background.
  • An Eyecatch (アイキャッチ, aikyatchi) or internal eyecatch is a scene or illustration used to begin and end a commercial break in a Japanese TV program, especially in anime and tokusatsu shows, similar to how "bumpers" into/out of commercial breaks are used in the United States. The term is used, in Japan, to refer to all kinds of bumpers. Unlike in American programs, in which bumps are typically supplied by the network (when they have them at all), eyecatches are almost always produced by the production company and considered a part of the program itself, rather than (or also serving as) a segue into a commercial break. They are typically 2–6 seconds long. Eyecatches for children's programs are often longer and more elaborate, while eyecatches for programming for adults may consist of nothing more than the program's logo against a black background.
  • Eyecatch is a Toradora! original soundtrack.
  • An eyecatch (Japanese: アイキャッチ Aikyatchi), is a transitional feature between a commercial break and a television show that is in most anime. In the outside of Japan, it is a commercial and/or bumper. The anime has featured eyecatches from its very beginning. Unlike in American programs, in which bumps are typically supplied by the network (when they have them at all), eyecatches are almost always produced by the production company and considered a part of the program itself, rather than (or also serving as) a segue into a commercial break. They are typically 2–5 seconds long. Eyecatches for children's programs are often longer and more elaborate, while eyecatches for programming for adults may consist of nothing more than the program's logo against a black background.
  • Each Yu-Gi-Oh! anime series has a different kind of eyecatches, although they are usually replaced with different graphics in the dubbed version, and removed in some international dubs.
  • Eyecatch is a particular scene that happens just before and after a commercial break. Eyecatches are normally present in just about every anime that airs on television, though they are not present in movies. Although there are no commercials during an episode on a DVD, eyecatches are still present. Because Hetalia is not aired on television and instead aired through cellphones and the internet (as well as its 5 minute air time), eyecatches are often used to switch scenes. For example, in Episode 31: Academy Hetalia Christmas, when the Axis Powers are finished interviewing America and turning down his offer to try his cake, an eyecatch of America plays and switches to a new scene where the Axis Powers are interviewing Russia.
  • Eyecatches of Showa era Kamen Rider Series featured illustrations of the protagonist . * The TV special Birth of the 10th! Kamen Riders All Together!! (1984), which introduced Kamen Rider ZX, forgone the eyecatch. Instead, the title Kamen Rider Special (仮面ライダースペシャル Kamen Raidā Supesharu) appears to the bottom right of the screen before the break and to the top left of the screen after the break, with a eyecatch sting from a previous series (Kamen Rider X for the first break, Kamen Rider (Skyrider) for the second, and Kamen Rider Super-1 for the last) accompanying the latter.
  • An eyecatch (アイキャッチ aikyatchi) or internal eyecatch is a scene or illustration used to begin and end a commercial break in a Japanese TV program, especially in anime and tokusatsu shows, such as Super Sentai, similar to how "bumpers" into/out of commercial breaks are used in the United States. The term is used, in Japan, to refer to all kinds of bumpers.
  • An eyecatch (アイキャッチ aikyatchi?) or internal eyecatch is a scene or illustration used to begin and end a commercial break in a Japanese TV program, especially in anime and tokusatsu shows, similar to how "bumpers" into/out of commercial breaks are used in the United States. The term is used, in Japan, to refer to all kinds of bumpers.
  • An Eyecatch is a mini-scene played before and after a commercial break in Anime. Some times in their place, an ad for a contest or a release of something merchandise related may be played instead. Usually the eyecatch is divided into two parts and tend to veer on the comedic side.
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