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The soundtracks for the first four games in the series were composed by Stewart Copeland of The Police fame. * Dark Passage. Terrifying level, but amazingly catchy music that just screams "Autobots Rock Out". * Fireworks Factory, fitting The Matrix-esque skills shown by Greta, is just as action-packed as the theme itself. * Gnasty's Loot. This music perfectly embodies the stage's "You've pretty much reached One Hundred Percent Completion, Spyro. But it's not over, you're almost there: your final stretch is going to be fun." kind of feeling. * Dark Hollow simply cannot... not be mentioned: despite its name, it's an amazingly calm theme for a nighttime stage, and almost manages to evoke some kind of "summer nights" feeling. * No Wizard Peak? Shame on you, please! This kicka

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  • Spyro the Dragon/Awesome Music
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  • The soundtracks for the first four games in the series were composed by Stewart Copeland of The Police fame. * Dark Passage. Terrifying level, but amazingly catchy music that just screams "Autobots Rock Out". * Fireworks Factory, fitting The Matrix-esque skills shown by Greta, is just as action-packed as the theme itself. * Gnasty's Loot. This music perfectly embodies the stage's "You've pretty much reached One Hundred Percent Completion, Spyro. But it's not over, you're almost there: your final stretch is going to be fun." kind of feeling. * Dark Hollow simply cannot... not be mentioned: despite its name, it's an amazingly calm theme for a nighttime stage, and almost manages to evoke some kind of "summer nights" feeling. * No Wizard Peak? Shame on you, please! This kicka
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  • The soundtracks for the first four games in the series were composed by Stewart Copeland of The Police fame. * Dark Passage. Terrifying level, but amazingly catchy music that just screams "Autobots Rock Out". * Fireworks Factory, fitting The Matrix-esque skills shown by Greta, is just as action-packed as the theme itself. * Gnasty's Loot. This music perfectly embodies the stage's "You've pretty much reached One Hundred Percent Completion, Spyro. But it's not over, you're almost there: your final stretch is going to be fun." kind of feeling. * Dark Hollow simply cannot... not be mentioned: despite its name, it's an amazingly calm theme for a nighttime stage, and almost manages to evoke some kind of "summer nights" feeling. * No Wizard Peak? Shame on you, please! This kickass BGM, just like Gnasty's Loot above, has a very "Let's have fun!" feeling. * Metropolis, with its very "welcome to the future"-esque feeling, and Sunny Beach as well. * Even more Spyro the Dragon music goodness includes Lofty Castle, a whimsical, yet "dangerous-feeling" theme, and Haunted Towers, which does pretty much the same. * Ripto's boss music in Spyro 2. Which, for some strange reason, was altered for the PAL release; The tune stayed the same, but the Ominous Latin Chanting was gone. Observe. * The main theme of Spyro the Dragon, heard on the title screen, and its moody remix heard in Toasty and the Gnorc Gnexus. * The credits theme for the trilogy is the same across all three games, and is particularly catchy as well as helping to tie all the adventures together. The Year of the Dragon credits, with the classic theme, are particularly bittersweet, given what happened next. * You can't beat Sunny Flight, Sunny Flight beats you! * The music of Breeze Harbor sounds similar to the Beast Makers world. * Within Breeze Harbor, the song that plays during the trolley mission sneaks in a remix of the first game's theme song about a minute in. * Harbor Speedway! * Buzz's Dungeon from Year of the Dragon.
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