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| - [Scott presses a button to his left hand side and hums happily, then shortly after a Zombite Fighter Jet's cannon is heard.] [The scene cuts to a Zombite Fighter Jet's nose cone cannon firing, and then a scene of three Zombite Fighter Jets flying.] [One of the Zombite Fighter Jets flies up.] [Scott flies Thunderbird 1 upwards in an attempt to lose the Zombite Fighter Jets.] [Scene cuts to Thunderbird 1 zooming at high speed with the first Zombite Fighter Jet in hot pursuit.] [Scene cuts to Thunderbird 1 swerving around and losing the first fighter jet. Scene cuts to the second of the Zombite Fighter Jet moving forward. Cuts to its cannon firing and it scores a direct hit on Thunderbird 1's back engines. Thunderbird 1 goes into a crash dive.] [Camera shots switch between Thunderbird 1 diving and Scott trying to get it back up. At the last second before Thunderbird 1 nose-dives into the Sahara Desert. Scott pulls the nose cone up, but Thunderbird 1 crashes hard, knocking out Scott, and it keeps on sliding until coming to a halt in a sand dune.] [Title card The Uninvited appears.] [Scene cuts to one of the Zombite Fighter Jets flying over Thunderbird 1. He shouts an order in Zombite language. The three jets fly away. Scene cuts to Tracy Island Villa Lounge.] Tin-Tin: "Oh, Mr Tracy, how terrible, what could have happened?" [Jeff is at the radio console.] Jeff Tracy: "Thunderbird 1 from base. Thunderbird 1 from base. Repeat: can you hear me?" [No response.] Jeff Tracy: "Nothing..." [Scene cuts to the Sahara Desert. Scott wakes up slowly. He has sustained a nasty gash on his forehead.] Scott Tracy: "O-ow..." [Scott reaches for the radio.] Scott Tracy: "Base, from Thunderbird 1. Base... from Thunderbird 1, come in please..." [No response.] Scott Tracy: "Ugh, the radio's smashed, darn it." [Sighing.] "I suppose I'd better take a look outside..." [Scott gets up from his seat. Scene cuts to the outside of Thunderbird 1. The hatch opens. Scott looks out. He sees nothing but sand and desert.] Scott Tracy: "No sign of anything. Fine predicament. 5000 miles from base, and the radio's dead." [Feels a sudden sharp pain in his head.] "Ow! This is some crack that I got... I think I'm gonna..." [Camera shots reveal Scott's vision is blurry.] "I think, I'm gonna..." [Scott passes out. Camera zooms out from Thunderbird 1. Scene cuts to Tracy Island Villa Lounge. Enter Virgil Tracy.] Tin-Tin: [Crying.] "Oh, Virgil, it's gone dead, h-he won't answer..." Gordon Tracy: [reading a map.] "Well, I've plotted his position, father. He can't have gotten far away from his last contact point." [Virgil exits. Cuts to Brains Laboratory.] [Scene cuts to Thunderbird 2's hangar. The pod selected is Pod 6. Scene cuts to Tracy Villa lounge. Jeff and Tin-Tin are arguing.] Tin-Tin: "But Mr. Tracy, what good reason can there be?" [Scene cuts to the end of Thunderbird 2's runway. Thunderbird 2 blasts off. Scene cuts to cabin interior. Virgil and Tin-Tin are wearing rescue uniforms and Brains is wearing his desert outfit.] Jeff Tracy: [On radio.] "All right, Virgil, good luck." [Scene cuts to Tracy Villa Lounge.] [Jeff looks at Scott's portrait, then back at Alan.] [Alan looks sheepishly away.] [Scene cuts to the Sahara Desert. Scott is still unconscious. Scene then cuts to an area of the desert not far away. A Jeep with a trailer is seen moving at a distance. It contains two occupants: Lindsey and Wilson. Wilson is driving harshly.] [The Jeep drives over a sand dune.] [The Jeep continues on. As they keep moving, Lindsey momentarily sees the front end of Thunderbird 1.] Lindsey: "Hey Wilson, what was that?" Wilson: "What was what?" Lindsey: "I can't see it now. It's gone behind that big sand dune, I guess." [All that can be seen are lots of sand dunes.] [After driving past a big dune, they both see the rear section of Thunderbird 1. Wilson temporarily stops the Jeep.] [Wilson starts the Jeep up again and they moves towards Thunderbird 1.] [Scene cuts to rear end of Thunderbird 1's engines. Cue "The Rescue of Ned Cook" theme. The Jeep drives alongside to the front end and comes to a halt.] Lindsey: [Spotting Scott.] "Wilson, look, there's somebody stretched out there, in that hatchway in the side... Hey, he looks like he's in a bad way..." [Wilson and Lindsey exit the Jeep. Scene cuts to Thunderbird 1. Scott slowly regains consciousness. Some blood has trickled down the left side of his head.] Scott Tracy: [Groaning.] "My head..." [Wilson and Lindsey walk over to Thunderbird 1. They see Scott injured.] [Lindsey walks back to the Jeep.] [Lindsey returns with the first aid.] [Scene cuts to Tracy Villa Lounge. John's picture is beeping. Jeff puts on the radio.] Jeff Tracy: [Relieved.] "Well... well, I'm sure relieved to hear that. What happened?" [Scene cuts to Thunderbird 2 cabin.] [Scene intercuts between Thunderbird 2 cabin and Thunderbird 2 in flight.] Tin-Tin: [Spotting Thunderbird 1 down below.] "Look! There's Thunderbird. And what's that parked beside it?" [Scene cuts to Thunderbird 2 descending. Scene cuts to Wilson and Lindsey looking up at it. Scene then cuts to an open view of Thunderbird 1 and the Jeep then pans over to the right to see Thunderbird 2 activating its thrusters and landing. Scene cuts to Thunderbird 5.] Jeff Tracy: [On radio.] "Oh, Tin-Tin fixed him up all right" [Scene cuts to Tracy Villa Lounge.] John Tracy: [On screen.] "Got any ideas who they might have been, father?" [Thunderbird 5.] [Tracy Villa Lounge.] [Scene cuts to Sahara Desert, night time. Two large red tents have been put up. The IR team and the archaeologists are sitting around a camp fire. Scott and Lindsey are in deck chairs opposite to each other, Wilson and Virgil are sitting beside them, respectively. Scott has a bandage round his head. Brains is standing next to Scott. Tin-Tin is finishing clearing up.] Tin-Tin: [Laughing.] "No Scott, you scoffed the lot. Anyway, three helpings is enough. You're supposed to be an invalid, remember?" Wilson: [Taking off his sunglasses.] "It's this desert, I tell ya... I've had a strange feeling about it ever since we came out to look for this pyramid." Lindsey: [Removing his sunglasses.] "Well, some explorers claimed to have caught sight of the Lost Pyramid of Khamandides. Others say that it was just a mirage, and that they just imagined the whole thing." [Scene transitions to the burnt out camp fire. Then cuts to the inside of the right tent. Tin-Tin is fast asleep. Camera pans over to the second tent. Virgil and Scott are asleep as well. One final shot of the camp fire, now completely sooty, and the open view of the camp site before fading out.] [Scene fades back in to Tracy Villa Lounge. Scott has a plaster on his forehead and certainly is having a splendid welcoming party.] [Scene cuts to Sahara Desert, daytime. Wilson and Lindsey are back in the Jeep.] Lindsey: [skittish] "Now, look Wilson, cut that out! You're going too fast again!" [Scene cuts to a overhead front shot of the Jeep. Scene cuts to a close up shot of the trailer's clutch, which is beginning to show a strain. The Jeep drives up and over a sand dune.] [Wilson continues to drive along a sand dune irrationally. Cue Monorail to Disaster theme. Scene cuts to another close up shot of the trailer's clutch which strains more. Cue Edge of Impact theme. The Jeep starts to slide.] [The Jeep continues to slide along the sand dune. The trailer's clutch finally gives and snaps clean off from the Jeep, sending it sliding down the dune. The Jeep comes to an abrupt halt. The trailer crashes at the bottom and flips upside-down.] [The trailer explodes in a series of five bangs, throwing smoke and some flaming debris everywhere.] [Wilson makes to get out of the Jeep. The trailer explodes a sixth time.] Lindsey: "Why, sure... [Remembering.] Say, we can't. I put the radio on the trailer." Lindsey: [Spotting something.] "Wilson, look!" [A radio is partially buried in sand just down the dune. Wilson goes to it.] Wilson: "It's taken a pounding but, it could be OK." [Switched on.] "Base camp Salaar from Wilson. Come in, Salaar. Come in, Salaar. This is Wilson. Do you read me?"[No response.] "What's wrong with it? Come on, baby, start working." [Scene cuts to the side of the Tracy Island luxury pool. Tin-Tin and Gordon are playing in it.] [Cuts to Virgil reading a book. Tin-Tin throws a ball to him.] [Scene cuts to Tracy Villa Lounge. Scott and Alan are on the transport couch to Thunderbird 3. Jeff checks his watch.] [Cue "Thunderbirds Are Go!" theme tune. Scott and Alan descend on the couch to a trolley quite a way down. A replica couch replaces the first. The trolley then goes along a track to the left, through a small tunnel before arriving under Thunderbird 3's underside hatch. The couch then ascends into the lounge of Thunderbird 3. Scott and Alan get up.] [Scene cuts to the lever being lowered. Cuts to Alan entering an elevator and ascending. Cuts to control cabin. Alan exits the lift. A brief shot of Alan and Scott's uniforms swiveling round on a rotating closet before cutting to the outside top view of the Round House. Cuts to the bottom of the hangar. Thunderbird 3 blasts off and climbs into the atmosphere. Scene cuts to the Sahara Desert. The trailer is still burning and billowing black smoke. Wilson is trying desperately on the radio.] Wilson: "Come in Salaar! Do you read?" [To Lindsey:] "I guess it's no good. Seven compensators are damaged. There's not enough power to reach the next sand dune." Lindsey: "But I need water." [Scene cuts to Thunderbird 5. Lindsey's voice is coming from a loudspeaker.] [Scene cuts to Thunderbird 3 approaching Thunderbird 5 and docking; then cuts back to control room.] Scott Tracy: [through loudspeaker] "Thunderbird 3 to Space Station. Ready for boarding-tube." John Tracy: [into microphone] "F.A.B." [Scene cuts to Thunderbird 3 docking with Thunderbird 5 and then to Thunderbird 3's control room. Scott is at the control desk and Alan is standing by the airlock door, which opens. He turns to Scott] Scott Tracy: "Sure thing, Alan. Good luck." [The airlock door closes behind Alan. Scene cuts to Thunderbird 5. John has packed his things and looks round at the other airlock. It opens and Alan enters.] [John exits through the airlock. Alan turns to the control console. He hears Lindsey's voice.] [Scene cuts to Sahara Desert. The Jeep is still continuing on.] [Scene cuts to a long shot of what look like palm trees.] [The Jeep speeds towards the waterhole.] [They get closer to it.] [Once they arrive, they find that the waterhole is dried up.] [Scene cuts to Thunderbird 5.] Wilson Tracy [On monitor, O.C.]: [Faintly.] "Come in please, International Rescue..." [Scene cuts to Thunderbird 3 descending to its hangar. Once it has been covered up by the Round House, the scene fades out.] [Scene fades back into Tracy Villa Lounge. Virgil is reading a book as Alan's portrait beeps. Jeep opens up connection.] [Playback begins.] [Scott ascends on the couch in the centre of the Lounge.] [Cue "Thunderbirds Are Go!" theme. Scott walks over to the Thunderbird 1 entry portrait and swivels round it. He then boards the gantry leading to Thunderbird 1. Scene cuts to exterior overshot of the swimming pool which starts receding. Cuts to Thunderbird 1 travelling down. Cuts to Scott pushing both levers forward. Cuts to swimming pool fully recline. Cuts to Thunderbird 1 blasting off and gaining height.] [Tracy Villa Lounge.] [Scene cuts to desert waterhole. Wilson has stopped using the radio.] Lindsey: "You don't seem to realise, we're dying of thirst. At this heat and exposure, we'll be lucky if we last out for another hour..." [Spots something far away, oddly distorted.] "Wilson, what's that over there? On the horizon?" Wilson: "Can't see anything." [Cuts to show sand dune after the next after the next.] [O.C.] "Only sand and desert..." [Wilson looks straight ahead. There not so far away, is the Lost Pyramid of Khamandides.] [Wilson starts the Jeep. Cue The Uninvited Desert Exploration theme. The Jeep trundles onwards.] [The Jeep continues forward until it arrives beside the Pyramid.] Wilson: "Yeah. It's deserted. Guess finding anyone else in this lousy desert was too much to hope for..." [They exit the Jeep.] "You can read hieroglyphics, Lindsey. What does it say?" [Cue The Hood's theme.] Lindsey [Examining the Pyramid surface.]: "I can't see any door, Wilson."[Slowly, a section of the rock slides inwards behind him.] "This place is probably solid rock." [They approach it.] Lindsey: "Well how did it open?" [They hear something.] "Say listen. Do you hear that?" [The enter the Pyramid. The entrance has a couple of statues depicting past Egyptian Pharaohs and several large tombs emblazoned with ancient hieroglyphics.] Wilson: "Yeah and so is the sound of that water. Come on." [The door suddenly closes behind them.] "Hey what's that? Lindsey, the door!" Lindsey: "There must some way of opening it. Feel around the walls." [Spots something.] "Wilson, use your lighter! Over here!" [Wilson flicks on his lighter. Lindsey has found the skeleton of somebody else.] [Scene cuts to Sahara Desert. Thunderbird 1 has arrived at the water hole.] [Scott pushes the right lever and swerves the craft round and heads north. Scene cuts to Pyramid interior.] [They then find the source of the water, in a fountain.] [Cue "Desert Discovery" theme. Scene fades out.] [Scene fades back in to see Thunderbird 1 flying through the air. Cuts to window exterior. Scott has his frown expression on as he looks down. He spots the Pyramid, and the Jeep.] [Thunderbird 1 cabin.] [Scene cuts to the Jeep, then pans over to see Thunderbird 1 landing. Scene cuts to Eternal Fountain chamber. Wilson and Lindsey are drinking the water.] [Scene cuts to outside the Pyramid.] Scott Tracy: "I don't figure this." [Into radio microphone.] "The prints just end at a blank wall. There's no entrance, anywhere!" [Suddenly the same rock slab mysteriously opens inwards again. Cue ominous theme.] [Scott enters the Pyramid. Scene cuts to the surface of a tomb with hieroglyphics on then pans round to a statue. As Scott looks round, the door closes behind him.] [As soon as it closes, Scott hears distant voices.] [Tracy Villa Lounge.] [Pyramid.] [Scott walks further on. Scene cuts to treasure chamber. Wilson and Lindsey have just discovered some very fabulous looking treasures.] [Camera pans over to the top of the stairs where Scott is standing.] Lindsey: "You can't fool me. You've come to steal our treasure." [Pulls out a gun.] [Lindsey shoots at Scott's radio microphone.] [Lindsey aims at Wilson. He takes cover just as Lindsey shoots but misses.] Scott Tracy: [behind one of the statues] "Don't be a fool. Throw down your gun. You need help." [Lindsey fires at Scott again, but misses. Scott has his frown expression on.] [Cue "End of the Road" danger theme. Scott pulls out his own gun and fires at Lindsey, hitting the piece of treasure in front of him. He then runs for cover behind another statue as Lindsey fires twice but misses. Scott fires again, blasting away another piece of treasure in front of Lindsey.] [Lindsey fires again and knocks away Scott's gun, letting it fall down the stairs. Scott takes cover behind the previous statue as Lindsey takes his gun.] [He fires two shots, narrowly missing Scott's feet and hitting the statue's ankles.] [He fires another two shots, hitting the statues feet again.] [Bang! The statues feet are struck again.] [Bang! Bang! Scene cuts to the top of the statue which shows it shaken around slightly. Scene alternates between the statue shaking and Scott taking cover. Lindsey fires another seven times before laughing maniacally as the statue creaks then tips over, leaving Scott with no more cover.] Lindsey: "There's no more protection Tracy! Now you will die!" [Laughs insanely.] [Scene cuts to show a door suddenly sliding aside, revealing two men with closely shaven blue hair dressed in Ancient Egyptian garb and both of them armed. Scott and Lindsey look over in their direction. One of them fires at Lindsey, knocking away his gun and knocking him out. They then turn their weapons on Scott, and as Scott looks at them, he sees the zZ symbol on their headbands.] Wilson: "Looks like they want us to go with em, Scott..." [Stands up.] "Ah, don't worry. I was only stunned when I fell." [Both the guards beckon behind them.] [So Wilson and Scott have no choice but to follow the Zombite guards and be taken prisoner. Scene cuts to Thunderbird 2. Virgil and Gordon are on the way.] [Tracy Villa Lounge.] [Cue The Uninvited Desert Exploration theme. Scene cuts to the inner sanctum of the Pyramid, which turns out to be like a miniature city. A monorail is travelling along a line, and below some tankers are billowing clouds of gas. One of the Zombite guards is manning the monorail wheel. The other is holding his gun at Scott and Wilson some feet away. Lindsey is lying on the couch, unconscious.] [Scene briefly cuts away from them to show masses of machinery and long lines of pipes criss-crossing the floor before cutting back again.] Wilson: "Yeah! And highly lethal, too." [Pointing.] "Take a look at that joker in the gas mask." [Scene briefly cuts to show a Zombite Worker down below, wearing a gas mask.] Scott: "He's tanking up those fighter's under there." [Scene cuts to show a trio of the Fighter Jets that took down Thunderbird 1 the previous day.] [O.C.] "And they look like the craft that shot me down the other day..." [Cuts back to Scott.] "I wonder what they're gonna do with us..." [Scene cuts to an overhead shot of the monorail. A tanker below gives off gas seven times before cutting to a side shot of the monorail. As it approaches a hatch, it opens, allowing it to pass through. Scene cuts to Thunderbird 2.] [Tracy Villa Lounge.] Jeff: "Not a word. We keep trying to get through, but he just doesn't answer." [to self] "I wonder what's going on in that pyramid..." [Scene cuts to the innermost Zombite chamber. The Zombite Leader, dressed in black Egyptian garb and with red hair instead of blue is addressing one of the guards who captured Scott, Wilson and Lindsey.] [The Zombite Controller presses a switch. The Leader looks at the screen showing Thunderbird 2 in flight.] Zombite Leader: [To Controller.] "Garangar hassup polluto! Put plub pub polluto!" [The Zombite Controller presses another switch. Scene cuts to show three missiles being lowered on a pulley onto a chute on screen.] [The Zombite Controller presses another button. Cue "The Voyage of Ocean Pioneer I" theme. The missiles are sent up the chute. Scene cuts to pyramid exterior. A large section of the Pyramid reclines inwards and the missiles take the space.] [Cuts to show the missiles being raised a little. Cuts back to chamber.] [Camera pans over to the Zombite Controller pressing another button. Cuts to show the missiles raised again. Cuts to monorail. Scott and Wilson continue to watch.] [The missiles are raised at the optimum height. Cuts to chamber.] [Cuts to monorail. Wilson looks round slowly at the other guard, who raises his gun. Wilson knocks it out of his hand and tackles him down. Scott grabs the gun and fires at one of the Zombites, killing him. He then fires at the Zombite Controller's console. Lights start flashing.] [The missiles are fired. They explode just seconds after Thunderbird 2 flies through the smoke.] [Thunderbird 2 turns around.] [Pyramid. The Zombite Controller and Leader both fire a shot at Scott and Wilson.] [Wilson slowly gets up to move to the monorail wheel. The Zombite Controller presses an alarm button, and an alarm sounds throughout the Pyramid. A Zombite from behind a pillar fires at Scott but misses. Scott and the Zombite Controller/Leader exchange fire but are unsuccessful as the monorail pulls out of the chamber. Scene cuts to Pyramid refinery. The hatch from before opens again as the monorail passes through and the hatch closes. Scott opens the door ajar and looks down. The Zombite Worker from before takes a shot andf misses but Scott fires and wounds him, causing the Worker to fall down, his arm catching a lever and pulling it. A large stream of gas comes billowing out from the surrounding pipeline.] [Cue Edge of Impact theme. The ensuing gas has begun a self-destruct sequence shown on a meter where a white line begins to fill the timer. As it does, a piece of pipe down below explodes. more pieces of machinery blow up as the monorail passes over them.] [Cue World Exclusive Foiled! theme. The timer has reached a fifth of the way through. Steam from the fuelling pipes accumulates inside the refinery.] THE END
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