About: 7½ O'clock

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An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

7½ O'clock features many different subjects and sketches, but most of them are somewhat recurrent. Some segments are lean more towards black-comedy whilst others are almost surreal. Some of the best-known and most commonly appreciated sketches are:

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rdfs:label	7½ O'clock
rdfs:comment	7½ O'clock features many different subjects and sketches, but most of them are somewhat recurrent. Some segments are lean more towards black-comedy whilst others are almost surreal. Some of the best-known and most commonly appreciated sketches are:
dcterms:subject	Television show
abstract	7½ O'clock features many different subjects and sketches, but most of them are somewhat recurrent. Some segments are lean more towards black-comedy whilst others are almost surreal. Some of the best-known and most commonly appreciated sketches are: * Talking to Lovians: people are asked if they could give their opinion on random news facts from all over the globe. Often, funny or dubious news facts are chosen to confuse the one who is interviewed. Sometimes extremely weird or personal questions are asked in the middle of the conversation. Talking to Lovians is one of the most popular segments with the audience. * No offense: follows the story of fictional Iranian rapper Sha'ze who tries to make a living with his music. His life as musician is however hard to combine with the views of his deeply religious family and the pursuit of his true love, a racist American girl. No offense is the most criticized and controversial part of the show. * 5 minutes HRH: his majesty (an actor of course) lets us film all over the royal palace and we can have private conversations with him. We get to see the person behind the facade of royalty. His royal highness also tests a new product or trend for us such as zumba or the new iPhone. Very hilarious and well appreciated by a lot of people. * What not to read: this segment takes us back to our adolescence when we had to read a good old classic in high school. We are explained why we should not read one of those classics and every week one of them is shredded to pieces. People can also send in suggestions on what not to read. * Wrong number?: The foreign correspondent, Michael Edmonds, tries to give us an update but he is never where he's supposed to be. This segment always open with a recurring style of dialogue: Studio reporter: "Hello, Michael?" Michael Edmonds: "HELLLOOOOOOOOOO!!!!" Studio reporter: "Are you in Geneva?" [pause] Michael Edmonds: "NOOOOOOOOOOOOO!!!!"

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