About: A Flower Is a Lovesome Thing (song)   Sponge Permalink

An Entity of Type : dbkwik:resource/Wc01kosy418ODy3h8ZVPQw==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

A Flower Is A Lovesome Thing is an album by the Vince Guaraldi Trio and released in 1957 by Fantasy, Inc. records. This album exhibits the trio's growth from the safer jazz style played in their self-titled album Vince Guaraldi Trio. The members of this trio were pianist Vince Guaraldi, guitarist Eddie Duran and bassist Dean Reilly. Guaraldi began exploring his personal style on the piano with these tracks before truly becoming recognized as a great jazz pianist in his following album Jazz Impressions of Black Orpheus (1962).

AttributesValues
rdf:type
rdfs:label
  • A Flower Is a Lovesome Thing (song)
rdfs:comment
  • A Flower Is A Lovesome Thing is an album by the Vince Guaraldi Trio and released in 1957 by Fantasy, Inc. records. This album exhibits the trio's growth from the safer jazz style played in their self-titled album Vince Guaraldi Trio. The members of this trio were pianist Vince Guaraldi, guitarist Eddie Duran and bassist Dean Reilly. Guaraldi began exploring his personal style on the piano with these tracks before truly becoming recognized as a great jazz pianist in his following album Jazz Impressions of Black Orpheus (1962).
dbkwik:jaz/property/wikiPageUsesTemplate
Label
Name
  • A Flower Is A Lovesome Thing
Genre
Type
  • album
Last album
  • Vince Guaraldi Trio
This Album
  • A Flower Is a Lovesome Thing
Cover
  • A Flower Is a Lovesome Thing.jpeg
Next album
  • Jazz Impressions of Black Orpheus
Released
  • 1957-04-16(xsd:date)
Artist
abstract
  • A Flower Is A Lovesome Thing is an album by the Vince Guaraldi Trio and released in 1957 by Fantasy, Inc. records. This album exhibits the trio's growth from the safer jazz style played in their self-titled album Vince Guaraldi Trio. The members of this trio were pianist Vince Guaraldi, guitarist Eddie Duran and bassist Dean Reilly. Guaraldi began exploring his personal style on the piano with these tracks before truly becoming recognized as a great jazz pianist in his following album Jazz Impressions of Black Orpheus (1962).
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