The difference from the first icon is that in the Eleousa, the Child Christ touches his mother's face and wraps one arm around her neck or shoulder. The mutual gestures of loving kindness between the Theotokos and her child give this icon a warmth and tenderness though the sentimentality is not excessive and retains a noble quality. The personal pain and grief in the face of the Theotokos can be felt and transformed into a universal grief and pain for the present life. In the Hodegetria, the emphasis is on the divinity of Christ, whereas, in this icon, the emphasis is on the humanity of Christ and the compassion of the Theotokos are emphasised as a motherly compassion for all human beings.
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| - The difference from the first icon is that in the Eleousa, the Child Christ touches his mother's face and wraps one arm around her neck or shoulder. The mutual gestures of loving kindness between the Theotokos and her child give this icon a warmth and tenderness though the sentimentality is not excessive and retains a noble quality. The personal pain and grief in the face of the Theotokos can be felt and transformed into a universal grief and pain for the present life. In the Hodegetria, the emphasis is on the divinity of Christ, whereas, in this icon, the emphasis is on the humanity of Christ and the compassion of the Theotokos are emphasised as a motherly compassion for all human beings.
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abstract
| - The difference from the first icon is that in the Eleousa, the Child Christ touches his mother's face and wraps one arm around her neck or shoulder. The mutual gestures of loving kindness between the Theotokos and her child give this icon a warmth and tenderness though the sentimentality is not excessive and retains a noble quality. The personal pain and grief in the face of the Theotokos can be felt and transformed into a universal grief and pain for the present life. In the Hodegetria, the emphasis is on the divinity of Christ, whereas, in this icon, the emphasis is on the humanity of Christ and the compassion of the Theotokos are emphasised as a motherly compassion for all human beings. Well known examples of this type of icon include the:
* Theotokos of Vladimir
* Our Lady of Pochayiv (Pochaevskaya), 16th-century
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