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On the wall of Dr. Shawna Welsh's office at the Laurier Mental Health Clinic is a large framed reproduction of one of the pictures in a series called A Rake's Progress, painted by William Hogarth in the eighteenth century. Dr. Welsh, a psychiatrist dealing with the mentally ill in twentieth-century Toronto, has chosen to hang on the wall of her office a picture of an eighteenth-century insane asylum. It is the location depicted in the eighth (and final) painting in a series by James Hogarth.

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  • A Rake's Progress
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  • On the wall of Dr. Shawna Welsh's office at the Laurier Mental Health Clinic is a large framed reproduction of one of the pictures in a series called A Rake's Progress, painted by William Hogarth in the eighteenth century. Dr. Welsh, a psychiatrist dealing with the mentally ill in twentieth-century Toronto, has chosen to hang on the wall of her office a picture of an eighteenth-century insane asylum. It is the location depicted in the eighth (and final) painting in a series by James Hogarth.
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abstract
  • On the wall of Dr. Shawna Welsh's office at the Laurier Mental Health Clinic is a large framed reproduction of one of the pictures in a series called A Rake's Progress, painted by William Hogarth in the eighteenth century. In the episode "Crazy Love", Dr. Welsh is evaluating the mental health of Peter Barlow, a serial killer who has been sent to the Laurier Clinic for evaluation. However, he manages to escape, killing a patient as he leaves the grounds. Det. Nick Knight goes to Dr. Welsh's office to interview her about Barlow. When he enters, she isn't yet there, so he spends a few moments looking around—particularly at a large framed picture hanging on the wall. Dr. Welsh, a psychiatrist dealing with the mentally ill in twentieth-century Toronto, has chosen to hang on the wall of her office a picture of an eighteenth-century insane asylum. It is the location depicted in the eighth (and final) painting in a series by James Hogarth.
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