About: F. L. Griggs   Sponge Permalink

An Entity of Type : dbkwik:resource/hqoDe3vZYlmDDmKnVxo_QA==, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

Frederick Landseer Maur Griggs, RA, RE (30 October 1876 – 7 June 1938) was a distinguished English etcher, architectural draughtsman, illustrator, and early conservationist, associated with the late flowering of the Arts and Crafts movement in the Cotswolds. He was one of the first etchers to be elected to full membership of the Royal Academy.

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  • F. L. Griggs
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  • Frederick Landseer Maur Griggs, RA, RE (30 October 1876 – 7 June 1938) was a distinguished English etcher, architectural draughtsman, illustrator, and early conservationist, associated with the late flowering of the Arts and Crafts movement in the Cotswolds. He was one of the first etchers to be elected to full membership of the Royal Academy.
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Movement
  • British Etching Revival
Field
  • etcher, architectural draughtsman, illustrator
Deathplace
  • Chipping Campden, Gloucestershire
Name
  • Frederick Landseer Maur Griggs
Works
  • Owlpen Manor, The Almonry, Maur's Farm, Anglia Perdita
Birthdate
  • 1876-10-30(xsd:date)
Training
  • Slade School of Art
Awards
Deathdate
  • 1938-06-07(xsd:date)
influenced by
Nationality
  • English
influenced
  • Robin Tanner, Joseph Webb, Graham Sutherland, Paul Drury
Location
  • Hitchin, Hertfordshire
abstract
  • Frederick Landseer Maur Griggs, RA, RE (30 October 1876 – 7 June 1938) was a distinguished English etcher, architectural draughtsman, illustrator, and early conservationist, associated with the late flowering of the Arts and Crafts movement in the Cotswolds. He was one of the first etchers to be elected to full membership of the Royal Academy. Born in Hitchin, Hertfordshire, he worked as an illustrator for the Highways and Byways series of regional guides for the publishers, Macmillans. In 1903 he settled at Dover's House, in the market town of Chipping Campden in the Cotswolds, and went on to create one of the last significant Arts and Crafts houses at 'New Dover's House'. There he set up the Dover's House Press, where he printed late proofs of the etchings of Samuel Palmer, amongst others. He collaborated with Ernest Gimson and the Sapperton group of craftsmen in architectural and design work in the area.
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