About: Deep C-Zar   Sponge Permalink

An Entity of Type : owl:Thing, within Data Space : 134.155.108.49:8890 associated with source dataset(s)

The makeup for the character of Deep C-Zar was sculpted and painted in Vancouver, by Don Lanning and Daemon Cadman respectively. [2] [3] The alien was a hybrid makeup which resulted from two sculpts coming together. (Information from Dae Cadman) Cadman recalled, "I had 2 shop days to complete that massive cowl, 2 faces and a set of arms (Holland Miller jumped in to do the arms for me) before it was shipped from Vancouver [....] The boss, Joel Harlow, gave me freedom and trust (quietly passing by my paint area to make sure I wasn't screwing anything up) to paint what I wanted." [4] In Dubai, Lenny MacDonald applied the makeup to the performer. [5] [6]

AttributesValues
rdfs:label
  • Deep C-Zar
rdfs:comment
  • The makeup for the character of Deep C-Zar was sculpted and painted in Vancouver, by Don Lanning and Daemon Cadman respectively. [2] [3] The alien was a hybrid makeup which resulted from two sculpts coming together. (Information from Dae Cadman) Cadman recalled, "I had 2 shop days to complete that massive cowl, 2 faces and a set of arms (Holland Miller jumped in to do the arms for me) before it was shipped from Vancouver [....] The boss, Joel Harlow, gave me freedom and trust (quietly passing by my paint area to make sure I wasn't screwing anything up) to paint what I wanted." [4] In Dubai, Lenny MacDonald applied the makeup to the performer. [5] [6]
dcterms:subject
dbkwik:memory-alph...iPageUsesTemplate
abstract
  • The makeup for the character of Deep C-Zar was sculpted and painted in Vancouver, by Don Lanning and Daemon Cadman respectively. [2] [3] The alien was a hybrid makeup which resulted from two sculpts coming together. (Information from Dae Cadman) Cadman recalled, "I had 2 shop days to complete that massive cowl, 2 faces and a set of arms (Holland Miller jumped in to do the arms for me) before it was shipped from Vancouver [....] The boss, Joel Harlow, gave me freedom and trust (quietly passing by my paint area to make sure I wasn't screwing anything up) to paint what I wanted." [4] In Dubai, Lenny MacDonald applied the makeup to the performer. [5] [6] As a result of the extraordinary amount of freedom that Joel Harlow afforded her in painting Deep C-Zar, Dae Cadman was extremely proud of how the alien's appearance turned out, with the character's back being her favourite part. [7] [8] She remarked about the alien, "It's one of my favourite things I have ever painted [....] Wasn't too fond over how dark it ended up being upon application. Still loved it. The back was amazing." As such, Cadman was disappointed that Deep C-Zar didn't end up being in the film. (Information from Dae Cadman) A two-page spread featuring Deep C-Zar was published in Prosthetics magazine (issue 5, p. 8-9). Overjoyed with the image, Dae Cadman explained, "I never thought I would see this little guy all put together and photographed so beautifully. I only had some shop photos which weren't too good." [9]
Alternative Linked Data Views: ODE     Raw Data in: CXML | CSV | RDF ( N-Triples N3/Turtle JSON XML ) | OData ( Atom JSON ) | Microdata ( JSON HTML) | JSON-LD    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 07.20.3217, on Linux (x86_64-pc-linux-gnu), Standard Edition
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2012 OpenLink Software