July 15, 2011, 10:00 AM By Drooling Pervert The critics have not spared any of their ammunition in bashing the latest instalment of director Michael Bay’s epic film trilogy - Transformers: Dark of the Moon. The iron pen of The New York Times tore into the multimillion dollar film as full of “excess and redundancy, taking place in a universe full of fire and metal and purged of nuance.” That may well be, but even the reviewers have not denied that the series has always had a crowning jewel - nigh irreplaceable by any shiny car/robot or any degree of CG carnage – that more than makes up for any lack of precious cinematic “nuance”: the nubile sidekick. Although the hoity-toity sourpusses of journalism have - quite obviously - not even condescended to voice their opinions on this aspect, word
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| - July 15, 2011, 10:00 AM By Drooling Pervert The critics have not spared any of their ammunition in bashing the latest instalment of director Michael Bay’s epic film trilogy - Transformers: Dark of the Moon. The iron pen of The New York Times tore into the multimillion dollar film as full of “excess and redundancy, taking place in a universe full of fire and metal and purged of nuance.” That may well be, but even the reviewers have not denied that the series has always had a crowning jewel - nigh irreplaceable by any shiny car/robot or any degree of CG carnage – that more than makes up for any lack of precious cinematic “nuance”: the nubile sidekick. Although the hoity-toity sourpusses of journalism have - quite obviously - not even condescended to voice their opinions on this aspect, word
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| - July 15, 2011, 10:00 AM By Drooling Pervert The critics have not spared any of their ammunition in bashing the latest instalment of director Michael Bay’s epic film trilogy - Transformers: Dark of the Moon. The iron pen of The New York Times tore into the multimillion dollar film as full of “excess and redundancy, taking place in a universe full of fire and metal and purged of nuance.” That may well be, but even the reviewers have not denied that the series has always had a crowning jewel - nigh irreplaceable by any shiny car/robot or any degree of CG carnage – that more than makes up for any lack of precious cinematic “nuance”: the nubile sidekick. Although the hoity-toity sourpusses of journalism have - quite obviously - not even condescended to voice their opinions on this aspect, word on the street was clearly hungry for a glimpse at actress Megan Fox’s replacement: the British starlet and supermodel Rosie Huntington-Whiteley. Indeed, Ms Huntington-Whiteley clearly has not disappointed her director, and her film’s gross revenue (almost 700 million dollars worldwide - so far) doesn’t seem to indicate that the audience disagrees.
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