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| - Categoría:CeraWiki:Artículos que necesitan referencias Chōjirō(長次郎) (d. 1592) is distinguished as the first generation in the Raku family line of potters, and according to historical documents, was the son of one Ameya, who may have immigrated to Japan from China or Korea[citation needed]. Historical evidence shows that he produced ridge tiles for Toyotomi Hideyoshi's Jurakudai palace in 1574. There is a historical document reporting that in 1584, Toyotomi Hideyoshi presented him with a seal inscribed with the character 楽, 'raku', and with this "Raku" was adopted as the family name. He worked at one time for Sen no Rikyū, the master of tea, at whose request he created teabowls to be used in chanoyu, the Japanese tea ceremony. Extant records of the use, at the time, of the tea bowls that he
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| abstract
| - Categoría:CeraWiki:Artículos que necesitan referencias Chōjirō(長次郎) (d. 1592) is distinguished as the first generation in the Raku family line of potters, and according to historical documents, was the son of one Ameya, who may have immigrated to Japan from China or Korea[citation needed]. Historical evidence shows that he produced ridge tiles for Toyotomi Hideyoshi's Jurakudai palace in 1574. There is a historical document reporting that in 1584, Toyotomi Hideyoshi presented him with a seal inscribed with the character 楽, 'raku', and with this "Raku" was adopted as the family name. He worked at one time for Sen no Rikyū, the master of tea, at whose request he created teabowls to be used in chanoyu, the Japanese tea ceremony. Extant records of the use, at the time, of the tea bowls that he produced for Rikyū describe them as "tea bowls of the Sōeki form", Sōeki being the name that Rikyū was then generally known by. The bowls attracted attention for their beauty and refinement. Chōjirō produced bowls that were either entirely red or entirely black glazed soft pottery[citation needed], simple and without decoration, which were meant to reflect wabi ideals. Chōjirō's adopted son, Jōkei, followed in his father's footsteps, and was allowed to append the term raku to his name in recognition of his talents. This marked the beginning of the use of the style in Japanese pottery. Chōjirō was also the founder of a dynasty of potters that is still active today.
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